清雍正 黃地綠彩福運綿綿紋盌 《大清雍正年製》款

thinly potted with deep rounded sides supported on a splayed foot, the exterior finely incised with twelve bats, each grasping in its mouth a beribboned double gourd and flying amidst scrolling clouds, between ruyi heads at the rim and a lappet band at the foot, coloured in green and white, the bats picked out in iron red, the ribbons in blue and the gourds with brown spots, and reserved on a pale yellow ground repeated on the interior, save for the white base inscribed with a six-character reign mark in underglaze blue within double circles

倫敦蘇富比1962年10月23日，編號122，二器之一（£200）
Bluett & Sons Ltd，倫敦，1962年
羅傑琵金頓（1928-69年）收藏，自1962年始（£275）
茉琳琵金頓（1928-2011年）收藏

The bowl is in fairly good condition, with four tight hairlines to the rim, barely visible, the longest at the 9 o clock position extending vertically approx 3.5cm, with three other shorter ones at the 1-3 o'clock position.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

本品用色豐富，以黃地綠彩為主，乃雍正朝新創，此後歷朝皆無他例。此盌主調為綠、黃、白三色，基本屬三彩瓷類，但其蝙蝠及彩帶先留白，後施紅、藍彩，淺青葫蘆又添褐斑。由於白釉地著彩，是以礬紅略呈粉色，因此同類盌常被誤認作粉彩瓷。

北京故宮博物院收藏一件近例，載錄甚豐，如《故宮珍藏康雍乾瓷器圖錄》，香港，1989年，頁238，圖版67；《故宮博物院藏文物珍品全集．琺瑯彩．粉彩》，香港，1999年，圖版83；耿寶昌主編，《故宮博物院藏清代御窰瓷器》，北京，2005年，卷2，圖版66。Constantinidi 舊藏也有一盌，售於倫敦蘇富比1947年7月8日，編號24，錄於 Soame Jenyns，《Later Chinese Porcelain: The Ch’ing Dynasty》，倫敦，1951年，圖版LXIX，編號3。紐約蘇富比1975年4月24日且曾拍出一例，編號364，後納入英國鐵路基金會收藏，再售於倫敦蘇富比1989年5月16日，編號78。

雍正一朝，此類豐富用色，也見於其他紋飾之品，如仙鶴暗八仙紋盌，H.M. Knight 舊藏一例，展於東方陶瓷學會舉辦之《The Arts of the Ch’ing Dynasty》，倫敦，1963年，編號189，售於香港蘇富比1983年11月15日，編號263，後又展於《天民樓藏瓷》，香港藝術館，香港，1987年，編號101。《天民樓藏瓷》展覽圖錄摘錄耿寶昌於《明清瓷器鑑定》一書所言：「這類黃釉地彩器上，施有紅、藍、白、綠、紫、黑各色……當時稱之為『五彩新品』」（香港，修訂版，1993年，頁248）。耿氏書中同載一黃釉地五彩雲鶴紋盌，圖版105，施有黃、綠、白三彩，鶴冠礬紅及翎毛末端墨彩均繪於白釉之上。