十三至十四世紀 西藏銅錯紅銅布祿金剛贍巴拉立像

喜瑪拉雅藝術資源網編號68424

阿什莫林博物館，牛津，1996-2005年借展
《The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection》，阿什莫林博物館，牛津，1999年10-12月
《Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya》，Palazzo Bricherasio，都靈，2004年6-9月
魯賓藝術博物館，紐約，2005-2017年借展
《Casting the Divine: Sculptures of the Nyingjei Lam Collection》，魯賓藝術博物館，紐約，2012-2013年

David Weldon 及 Jane Casey Singer，《The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection》，倫敦，1999年，圖22
Franco Ricca，《Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya》，都靈，2004年，頁190，圖35

Good overall condition. With surface wear, accretion and patination throughout. Traces of polychrome to hair. Baseplate intact, likely not original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The practice of Kala Jambhala in Tibet originated with the second Sakya Tridzin or throne holder, Bari Lotsawa (born Rinchen Drakpa, 1040-1111), one of the most influential figures in Tibetan Buddhist history. In the late eleventh century, Bari Lotsawa made two extended journeys into India to train as a translator, during which time he received innumerable tantric transmissions and empowerments. He then mastered these practices and transmitted them to his disciples in Tibet, including the third Sakya Tridzin Sachen Kunga Nyingpo, the first of the Five Great Sakya Masters.

Kala Jambhala stands in fierce alidhasana atop a supine figure of Yellow Jambhala, who wears the bodhisattva jewellery and raiment and holds a jewel in the raised right hand. The ferocious, ithyphallic deity stares intently, his three eyes bulging, and his fangs bared. Compare the use of copper inlay; the sash and raised arm of Yellow Jambhala used as a support; and the wide, downturned single row of lotus petals on the base surmounted by a single row of beaded pearls with another thirteenth or fourteenth century ungilt bronze figure of Kala Jambhala also from the Nyingjei Lam Collection, see lot 3109; as well as Pratapaditya Pal, Divine Images, Human Visions, Ottawa, 1997, p. 73.