- 1393
清雍正 青花纏枝花卉紋折腰盌 《大清雍正年製》款
估價
5,000 - 7,000 USD
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招標截止
描述
- 《大清雍正年製》款
- ceramics
the exterior painted blue with a band of S-scrolls with ruyi-head terminals, above a feathery hibiscus scroll, the center of the interior bearing a hibiscus spray enclosed in a double circle, the base with a six-character mark within a double circle
來源
Sotheby Parke Bernet, 18th June 1983, lot 427.
展覽
Chinese Ceramics and Works of Art: Selections from the Vanderbilt Museum and Other Private Collections, Vanderbilt Museum, Centerport, New York, 1983, cat. no. 36.
Condition
Rim has been reduced and there are minor firing imperfections and minor wear throughout.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
A closely related bowl in the collection of Frank Caro is illustrated in Cornelius Osgood, Blue-and-white Porcelain: A Study of Form, New York, 1956, pl. 35B. Another, in the collection of the Tianjin Museum, is included in Qing lan ya jing: guan cang Ming Qing qinghua ciqi chenlie [Elegance and tranquility in blue: Ming and Qing blue-and-white ceramics in the collection of the Tianjin Museum], Beijing, 2013, p. 66.