清十九世紀 青白玉鸚鵡桃式盃

worked in the form of a hollow half-peach borne on a leafy branch forming the handle and extending across the vessel with attendant peaches and floral blooms, a parrot with incised feathers depicted soaring on top, the stone of a pale celadon colour, wood stand

There are some minor nicks and nibbling along the extremities, including the edges of the parrot's wings, the leaves and petals. Some light bruises including one on the wing of the parrot and some on the leaves to the underside.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

可參一相近玉盃例，展於《敬天格物：中國歷代玉器導讀》，國立故宮博物院，台北，2011年，編號7-2-2；另見一類例，展於《博古存珍：敏求精舍金禧紀念展》，香港藝術館，2010年，編號205；第三相似例載於 Sydney L. Moss，《Emperor. Scholar. Artisan. Monk. The Creative Personality in Chinese Works of Art》，香港，1984年，圖版94。