明末至清初 黃花梨大理石案屏

the creamy-white marble figured with grey, beige and brown markings, inset in a wood frame carved with chihulong at the four corners, the base well carved with stylised lotus bud finials, openwork spandrels and a central panel of a pair of openwork lively dragons above a fluid curvilinear apron

伍嘉恩，《燕几衎榻: 攻玉山房藏中國古典家具》，香港中文大學文物館，香港，2007年，頁 174-175

Good overall condition with minor areas of consolidation including a 6 cm section to the reverse of the frame, and other small sections to the tips of the design on the lower apron. Other minor bruising and surface wear.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

屏心正中嵌大理石璧，紋理如同潑墨山水畫般呈現山巒隱現在雲霧間。案屏構造與明代設於室內的大型座地屏風相似。可裝可卸的插屏圓形大理石璧外四角雕飾精致的螭虎龍，墩子上立柱頂雕刻簡化蓮紋，立柱前後有透雕站牙抵夾，墩柱間縧環板透雕生動的螭虎龍，下裝線條流暢的披水牙子。

侶明室藏品中有一例，收錄於嘉木堂，《永恆的明式家具》，香港，2006年，頁214-215。