125
125

THE PROPERTY OF A EUROPEAN PRIVATE COLLECTOR

Thomas de Keyser
PORTRAIT OF A GENTLEMAN, FULL-LENGTH, HOLDING HIS SWORD AND A HAT, WITH A DOG IN AN INTERIOR
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125

THE PROPERTY OF A EUROPEAN PRIVATE COLLECTOR

Thomas de Keyser
PORTRAIT OF A GENTLEMAN, FULL-LENGTH, HOLDING HIS SWORD AND A HAT, WITH A DOG IN AN INTERIOR
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拍品詳情

西洋古典油畫日拍

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Thomas de Keyser
1596/7年生於阿姆斯特丹(?),1667年卒於阿姆斯特丹
PORTRAIT OF A GENTLEMAN, FULL-LENGTH, HOLDING HIS SWORD AND A HAT, WITH A DOG IN AN INTERIOR
signed with monogram and dated centre left: TDK . F . ANo 1624
oil on oak panel
87.8 x 61.5 cm.; 34 1/2  x 24 1/4  in.
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來源

J.C. Pruyssenaar, Amsterdam;
His sale, Amsterdam, Van Der Schley and De Vries, 27 December 1814, lot 96 (as by or in the manner of F. de Keijzer), to De Vries for 18 florins;
With Forbes and Paterson, London, by 1902;
William Frederick Barton Massey-Mainwaring (1845–1907), London, before 1907;
With F. Kleinberger, Paris, before 1910;
Probably from whom acquired by August C. de Ridder (1837–1911), Villa Schönberg, Kronberg im Taunus, by 1910;
With F. Kleinberger, New York, 1913, where unsold (see under Exhibited);
Sold by the Executors of August C. de Ridder, Paris, Galerie Georges Petit, 2 June 1924, lot 34, for 45,000 French francs;
Anonymous sale, London, Christie's, 12 December 1924, lot 83, for £11.0d.11s. to Bartlett;
Sale, Amsterdam, 8 October 1927, lot 112, for 6,400 florins (according to Adams, see Literature);
Anonymous sale, Amsterdam, Frederick Muller & Cie., 20 June 1928, lot 30;
With Jacques Goudstikker, Amsterdam, by 1928;
Ernst I. Lemberger, Amsterdam, from 25 June 1938 – 9 December 1941, when forced to sell to
Dr. E. Plietzsch, The Hague;
From whom acquired by Kajetan Mühlmann (1898–1958), at the Dienststelle Mühlmann, The Hague, for the Kunstmuseum, Linz (inv. no. 2184);
Sent for storage to Altaussee, Austria (inv. no. 3069);
Recuperated by the so-called Monuments Men and transferred to the Central Collecting Point, Munich, 15 July 1945 (inv. no. Mü 4420);
Repatriated from the above to Amsterdam, 20 November 1945;
The Instituut Collectie Nederland (previously the Stichting Nederlands Kunstbezit), The Hague (inv. no. G25);
Dienst Verspreide Rijkscollecties, The Hague (inv. no. NK 1407), by whom loaned to the Schilderijengalerij Prins Willem V, The Hague (inv. no. 1316);
Restituted from the above to the present owners, 2003.

展覽

London, Forbes and Paterson, A collection of pictures by Dutch masters of the XVIIth century, February 1902, no. 21;
New York, F. Kleinberger, Collection of Pictures of the late Herr A. de Ridder, 24 November – 15 December 1913, no. 12;
Amsterdam, Goudstikker, Tentoonstelling van Oude Schilderkunst. No. 35, October – November 1928, no. 19;
Rotterdam, Museum Boymans, Meesterwerken uit Vier Eeuwen 1400–1800, 25 June – 15 October 1938, no. 95;
Arnhem, Gemeentemuseum (according to a label on the reverse);
On loan to Schilderijengalerij Prins Willem V, The Hague (inv. no. 1316).

出版

W. Bode, The collection of pictures of the late Herr A. de Ridder, Berlin 1910; and trans. by H. Virgin, Berlin 1913, p. 7, and cat. no. 12, reproduced plate 12;
R. Oldenbourg, Thomas de Keysers Tätigkeit als Maler: ein Beitrag zur Geschichte des Holländischen Porträts, Leipzig 1911, pp. 31 and 76, cat. no. 51, reproduced plate V;
J. Goudstikker, Tentoonstelling van Oude Schilderkunst. No. 35, exh. cat., Amsterdam 1928, cat. no. 19, reproduced;
Museum Boymans, Meesterwerken uit Vier Eeuwen 1400–1800, exh. cat., Rotterdam 1938, p. 25, cat. no. 95, reproduced fig. 61;
A. Adams, The paintings of Thomas de Keyser (1596/7–667): a study of portraiture in seventeenth-century Amsterdam, doctoral diss., Harvard University, Ann Arbor 1985, vol. II, pp. 22–23, cat. no. 7.

西洋古典油畫日拍

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