郎靜山

亞洲重要私人收藏

〈畫影江山─郎靜山攝影作品特展〉湖北省博物館，武漢，二○一二年四月十日至六月十日 （另一版數）
〈畫影江山─郎靜山攝影作品特展〉安徽博物館，合肥，二○一二年六月十五日至八月十八日（另一版數）

〈八德園攝景〉中國文化學院，台北，一九六六年
〈靜山攝影〉中國攝影學會出版，台北，一九七二年
〈畫影江山─郎靜山攝影作品特展〉湖北省博物館編，文物出版社出版，北京，二○一二年，一百○五頁

The work is in its original condition. There is a minor wrinkle which can only be found under close inspection near the right border.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

1963年7月及1965年12月，郎靜山兩度遠赴巴西聖保羅探望張大千，並為他拍攝在彼邦親自設計、親手栽植的中式園林「八德園」，出版《八德園攝景》，內含照片二十二幀，皆以詩句命名，併而讀之，有若宋詞：
「一渠春水三曲橋，莞爾笑顏開。
意匠慘淡經營中，壁上雲山好臥游。
萬壑松風怒氣豪，竹陰靜坐，侵晨入雲霧。
拄杖有遐思。撫松日日成幽趣，松壑聽濤聲。
笻杖一枝林壑遊，盆栽蜀錦三千丈，煙瑣池塘柳。
翠竹上青霄，蒼松今古貌，湖邊意趣多。
蒼松侶高士，夕陽扶笻歸。
儼坐忘機，清寂客僊居。」
《萬壑松風怒氣豪》載於該集第五幀，郎氏以集錦技法，以唐人裝束的大千置入蒼松之間。藝術家以仰視拍攝蒼松，以平視拍攝大千，務求在突顯前者參天巨木的形象之餘，確保後者形象豐偉，為了淡化兩者之間的視角差異，則以雲煙作為緩沖，更添超然出世之意境。