拍品 371
  • 371

亨德拉·古拿溫

估價
800,000 - 1,500,000 HKD
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招標截止

描述

  • Hendra Gunawan
  • 面具舞者
  • 款識:畫家簽名並紀年76
  • 油彩畫布

Condition

This work is in good overall condition as viewed. There is some fine craquelure on the surface of the work, visible upon close inspection, but this is stable and consistent with the age of the work. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

The Topeng dance is one of the most enchanting, mesmerizing performances in West Java – the birthplace of Indonesian master, Hendra Gunawan. In all its colourful dynamism, and electrifying movement, the topeng dance plays with tradition, myth and the mystic mystery of masks. For Gunawan the dance also signifies the true spirit of Indonesia, brimming with vitality and a multifaceted beauty. In a country striving for independence, the artist sought refuge in these seemingly removed vignettes of agrarian life and imbued them with the bright, richly complex hues of his native land.

Upon viewing the present painting, one is struck by the lively strength of the main protagonist – a woman of seductive appeal and daring charisma. She wears a mask that covers her forehead only to reveal eyes animated by a fury passion, as well as the luscious red lips so deliciously typical of Hendra’s iconic female figures. Caught in mid-air, the dancer’s limbs stretched to the full, contorting in rugged yet graceful movements. Indeed the female embodies the ideals of Hendra Gunawan’s endearing reverence for the rural lifestyle of Indonesia. The artist took pleasure in observing and capturing women’s daily customs and dignified practices which he saw as unfettered by complications of cosmopolitan life. In fact the artist was inspired by his mother, frequently fashioning women as an emblem of the warmth and tenacity of human relationships.

Below the main figure is her dancing partner, who could be either a male or female counterpart. They mirror each other’s hand choreography, arching their elongated fingers backward and demonstrating the dance’s coordinated flow. The kinetics of the composition is reiterated in Hendra’s distinct convolutions of strokes, coiling with energy seen even in the minutia of her costume—a product of the painter’s masterful yet fluid control of his brush.

Strikingly electric with an unrestrained flirtatiousness, Topeng Dancer displays Hendra’s acute confidence in figuration as the dancer appears to leap out of the picture’s frame. Furthermore the current work exemplifies Hendra’s affinity for intense hues, which are daringly mixed on the canvas to produce a palette on the verge of a garish yet enticing appearance. Here, the artist generously employs a brilliant purple, cyans and scorching oranges, imbuing the painting with an arresting affinity for the tropical colours that populate Hendra’s most memorable works.