- 5047
潘其流
估價
350,000 - 450,000 HKD
招標截止
描述
- Pan Qiliu
- 沙地春痕
- 二○○七年作
- 綜合媒材畫布
款識：
PAN QILIU 07 （右下）
潘其流 2007（畫背）
PAN QILIU 07 （右下）
潘其流 2007（畫背）
來源
亞洲重要私人收藏
出版
〈潘其流抽象視野〉中國美術學院出版社，杭州，二○一○年，七十九頁
Condition
This work is overall in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
「東西方深層異質文化的融合，將開創未來世界繪畫藝術的新天地。」─潘其流
潘其流曾追隨林風眠三十餘年，深受其著名的「中西調合」理論影響，發展出對中國現代藝術的獨到看法。他認為使用西方繪畫為媒介表達對東方文化的感情，可說是東方人獨有的優勢。在師法西學數十年後，中國藝術家深刻的瞭解西方的藝術、技法、文化；相對西方而言，卻常對東方一知半解。潘其流搶占文化交流的先機，以東方為主題，在繪畫中揉合抽象表現主義、立體派、浮雕等技法，探索未來繪畫的新天地。
潘其流兼善繪畫與雕塑，曾於一九五九年前往敦煌石窟與河西走廊等沙漠地帶，研究中國古代佛教雕像與壁畫，《沙地春痕》可能來自於當時的回憶，雖以抽象表現卻也寫出沙漠中蒼涼的實景。畫中凝結於壓克力彩下那些有如淺浮雕意境疊出的質地與層次，是藝術家由雕塑經驗中提煉的美學元素，綜合背景大面積刷出的速度與空氣感，創造似古詩詞的節奏，使觀者感受古意橫生、大氣渾厚之感，一如著名藝評家丁羲元先生所說的：「（潘其流作品中）那流光泛彩的色層內是流不盡的傳統精靈，民族魂魄…完全是水到渠成，自然流瀉，詩一般的真氣內充。」
潘其流曾追隨林風眠三十餘年，深受其著名的「中西調合」理論影響，發展出對中國現代藝術的獨到看法。他認為使用西方繪畫為媒介表達對東方文化的感情，可說是東方人獨有的優勢。在師法西學數十年後，中國藝術家深刻的瞭解西方的藝術、技法、文化；相對西方而言，卻常對東方一知半解。潘其流搶占文化交流的先機，以東方為主題，在繪畫中揉合抽象表現主義、立體派、浮雕等技法，探索未來繪畫的新天地。
潘其流兼善繪畫與雕塑，曾於一九五九年前往敦煌石窟與河西走廊等沙漠地帶，研究中國古代佛教雕像與壁畫，《沙地春痕》可能來自於當時的回憶，雖以抽象表現卻也寫出沙漠中蒼涼的實景。畫中凝結於壓克力彩下那些有如淺浮雕意境疊出的質地與層次，是藝術家由雕塑經驗中提煉的美學元素，綜合背景大面積刷出的速度與空氣感，創造似古詩詞的節奏，使觀者感受古意橫生、大氣渾厚之感，一如著名藝評家丁羲元先生所說的：「（潘其流作品中）那流光泛彩的色層內是流不盡的傳統精靈，民族魂魄…完全是水到渠成，自然流瀉，詩一般的真氣內充。」