- Pierre Bonnard
Alfred & Mary Rome, Grenoble (acquired from the above on December 27, 1911 and probably until 1968)
Stephen Higgons, Paris (sold: Sotheby's, Tokyo, October 3, 1969, lot 371)
Private Collection, United States (sold: Sotheby’s, New York, November 11, 1988, lot 26)
Private Collection, United States (acquired at the above sale and sold: Christie’s, New York, November 11, 1992, lot 52)
Acquired at the above sale
Jean & Henry Dauberville, Bonnard, Catalogue raisonné de l'oeuvre peint 1906-1919, Paris, 1968, vol. II, no. 573, illustrated p. 174
Les Fraises exemplifies Bonnard’s fascination with light and color. As James Elliott observed: "Bonnard was essentially a colorist. He devoted his main creative energies to wedding his sensations of color from nature to those from paint itself – sensations which he said thrilled and even bewildered him. Perceiving color with a highly developed sensitivity, he discovered new and unfamiliar effects from which he selected carefully, yet broadly and audaciously…Whether in narrow range or multitudinous variety, the colors move across the surface of his paintings in constantly shifting interplay, lending an extraordinary fascination to common subjects. Familiar sights – the pervading greenness of a landscape, the intensification of color in objects on a lightly overcast day – are given vivid life" (J. Elliott in Bonnard and His Environment (exhibition catalogue), The Museum of Modern Art, New York, 1964, p. 25).