拍品 3687
  • 3687

清雍正 青花一把蓮盤 《大清雍正年製》款

估價
1,800,000 - 2,200,000 HKD
招標截止

描述

  • 《大清雍正年製》款
  • porcelain
well potted with shallow rounded sides rising from a tapered foot, painted to the interior with a central medallion enclosing a ribbon-tied bouquet of lotus flowers and leaves, arrowhead and other waterplants, encircled by a composite floral scroll of camellia, hibiscus, pomegranate, tree peony, rose, lotus and chrysanthemum in pairs, all below a band of classic scroll bordering the rim, the exterior similarly decorated with a composite floral scroll, between a key-fret band bordering the rim and classic scroll above the foot, the base inscribed with a six-character reign mark within a double circle

來源

香港蘇富比1986年5月20日,編號42

Condition

It is in overall very good condition, except for expected surface scratches, occasional glaze pulls, burst bubbles, kiln grits and insignificant nicks to the unglazed footring.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Inspired by the celebrated wares of the early Ming dynasty, dishes painted with this lotus bouquet motif were revived under the Yongzheng Emperor, who was keen to see historical masterpieces replicated as a reminder of the nation’s glorious past. Antiques from the Palace collection were sent to the Imperial kilns in Jingdezhen, where craftsmen were instructed to use them as standards for quality, models for designs and as inspiration for innovation.

See a Yongzheng example in the Palace Museum, Beijing, illustrated in Geng Baochang ed., Gugong bowuyuan cang Ming chu qinghua ci [Early Ming blue and white porcelain in the Palace Museum], Beijing, 2002, vol. 2, pl. 195. Five Yongle prototypes of this lotus bouquet design, in the Ardabil Shrine in Iran, are illustrated in John Alexander Pope, Chinese Porcelains from the Ardebil Shrine, Washington, D.C., 1956, pls 30 and 31.

By the Qianlong reign, the style of painting of this motif was slightly altered, becoming more formalised, and was applied on dishes of various shapes and sizes. See a Qianlong mark and period dish with this motif, in the Palace Museum, Beijing, illustrated in Geng Baochang ed., op. cit., pl. 203.