陸抑非 清露濕銀塘

款識：
清露濕銀塘，嬋娟試曉妝；
藕花香世界，一片綠雲涼。
錄小浮山人詩。癸未暮春之初，抑非居士陸翀寫於滬上崇蘭草堂。

鈐印：「陸翀之印」、「抑非居士」、「崇蘭草堂」。

-Insect holes could be found at the right side of the painting, and could be improved by restoration, Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

佘玅枝「清音閣」藏師友書畫（編號1312-1328）

世上多才女，如今又一人；
閒來揮妙筆，花鳥實傳神。─ 丙辰新春題玅枝女弟畫集，趙少昂。

佘玅枝（1943-1999），又名玅緻，字青玉，浙江寧波人，生於上海。性忱繪事，早歲畢業於廣州暨南大學，復入嶺南藝苑，投趙少昂門下。七十年代先後從黎雄才、黃君璧遊，亦隨商承祚習書法；八十年代移居加拿大，入卑詩大學深造，後於該國講學，並經營畫廊。她下筆甚勤，常伏案達旦，作畫研詩，然繪事袛為業餘之嗜，故作品在市場流傳極稀。其花鳥、山水兼擅，筆墨沉穩老辣，色調輕靈絢麗，得少昂師承而不失個人演繹之妙。作品屢獲奬項，曾出版多本畫集，先後展覽於香港、北京、加拿大及亞洲多個城市。

她為趙少昂入室弟子，師徒關係深厚，作品及畫冊中，不少具老師題識，日後更結父女之誼，往還書信中少昂均以「誼女」稱呼，故所藏趙氏作品量豐質精，如編號1326 之趙少昂〈向日葵〉及編號1321 之〈草書六言聯〉。一九八二年，應中國美術家協會之邀，師徒二人在北京中國美術館同時舉行個展，乃改革開放後「嶺南畫派」畫家作品首次在京展出，盛況空前。

活躍藝壇廿餘年間，佘氏好交朋會友，嶺南諸家外，她在七十年代末及八十年代常有訪京、滬、寧之行，與內地畫家如啟功、程十髮、黃冑、李苦禪、宋文治、亞明、范曾等皆有往來，常相雅敍，觀賞近作及收藏，屢得畫家寫贈，並合繪作品，以誌藝緣，如編號1314林散之〈草書《歸來》詩〉及編號1316之宋文治〈蜀江曉發〉；其藏品中，不少乃畫家訪港時於「清音閣」即席揮毫所得。她精心蒐集諸家力作，以二十世紀為主，藏品不少具親筆紀錄，敍述來源及品評心得，足見寶愛之甚。歷年積累，蔚然可觀，且多未公開，今出部份，供藝術仝好者共賞。