傅抱石 煙雲一見又商量

款識：
煙雲一見又商量。
壬午十一月初寫，望日補成之，即以周櫟園贈黃濟叔句題此，時近傍晚，陰黑益甚。抱石記于重慶西郊金剛坡麓山齋。

鈐印：「傅氏」、「抱石」、「傅」。

〈丹青鑄史—陳少梅百年誕辰暨近代書畫大師精品集〉（河北教育美術出版社，二○○九年六月），頁200-201
〈傅抱石年譜〉（增訂本），葉宗鎬著（ 上海古籍出版社，二○一二年十二月），頁87

-Light foxing could be found on the painting, which could be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：傅抱石對明末清初文壇人事往還甚有興趣，撰文研究外，亦好引此段期間人物之經歷詩文衍化為圖，如石濤、龔野遺、查梅壑、惲南田等。本幅取題亦於此範圍。

畫中「周櫟園」即清初著名學者周亮工（1612-1672），他因事繫獄，獄中結識如皋黃濟叔（即黃經），一見如故，常相「辨難字畫，考訂章法，往覆小札幾百紙，紙皆繩頭細書」，並屢贈詩文，又推許濟叔書畫篆刻，在所著〈印人傳〉及〈賴古堂集〉中皆有述及。順治十八年（1661），周亮工獲釋南歸，與早前出獄之黃經重逢於邗上，遂贈之十絶句，其一句曰「萬劫誰能除舊態？煙雲一見又商量」，即畫題出處所在。

一九四二年十月，傅抱石畫展於重慶舉行，反應熱列，成績斐然，本幅寫於展畢兩月後，題材延伸自展覽所示主要創作方向之一。是時創意旺盛，構圖不襲前人，機杼自出，作品一經面世，多無重複，其原創性更彌珍貴。本幅即其一。

畫中矮丘斜坡，上無植被，僅老樹孤立，粗幹密葉，橫枝如傘張伸出，幾及垂地，僅露方寸空間，下置高士負手遠眺，放眼處，山巒綿延，如屏障目，嵐氣上下浮游迴盪，恍如煙雲飄渺，一片蒼茫沉鬱，亟見寡然蕭瑟之貌，呼應了畫題之意境。

抱石又謂「時近傍晚，陰黑益甚」，畫中所狀，對應詩意外，毋乃畫家兼狀金剛坡夜色之貌。這段期間，他紛取雨景、霧景入圖，結合身處之環境，為創作不斷反覆試驗，故本幅在衍發前人詩意外，亦屬嘗新之作。