張惠言 篆書八言聯

款識：
學有經術通知世事，行無瑕尤直似古人。
張惠言。

鈐印：「惠言」、「珊瑚網」。

-Both scrolls, the upper parts are worse, signs of abrasion can be found, which have been well restored. The signs of restoration of left upper part of first scroll is obvious. Otherwise, generally in fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：張惠言，江蘇常州人。嘉慶四年（1799）進士，擅詞賦，為「常州詞派」開山，嘗輯詞選，抗志希古，多宏音雅調；又深易學，與惠棟、焦循並稱「乾嘉易學三家」。著有〈茗柯文集〉及〈茗柯詞〉等。

〈說文〉研究風氣盛於乾嘉期間，影響所及，學者好作篆書，如孫星衍、洪亮吉、錢坫、桂馥等皆擅此道，張氏亦廁身其中。其篆書以二李為本，得法鄧石如，雖為餘事，亦得「鐵石陷入屋壁」之勢。

「五十萬卷樓」藏名家書畫（編號1290-1303）

本輯乃近世東莞藏書家莫伯驥（1878-1958）「五十萬卷樓」舊藏，亦此聞名粵省之收藏第三度於香港蘇富比釋出。莫家藏書可溯源至晚唐學士莫宣卿，可謂陳編世守，嬋嫣不絕，至伯驥已是麻涌莫氏第廿八代，從商致富，然甘飯蔬食，癡迷古書，無閥閱之氣，藏必研究，五十萬卷書外尚有著作數十種。惜身逢亂世，藏書著述或毀於戰火，或散落人間，聚散無常，自古如是。

四十年代初，莫伯驥隨子培樾遷居澳門，方得一片寧靜，然終究無力再搜集古書，衹留部份前賢學人翰墨，寄想過往。伯驥先生曾與友人言收藏：「予無力收書畫，但藏書家如潘文勤，家亭諸公手翰，則頗有之。予蓋欲得藏書家之墨迹以寄其心情也」。本輯集書畫十四件，除賓虹山水，袁枚、吳鼒、阮元、顧莼、張惠言、盛昱等皆乾嘉道光年間藏書家、學者、金石家之手跡，可證蒐集旨實出於藏書世家經世研學之思路。而黃賓虹〈多蔭書屋圖〉（編號1303）與之前釋出〈五十萬卷樓圖〉、〈庸言書屋圖〉，合為莫伯驥、培樾父子四六年向畫家定製一套三幀，寫其藏書樓與父子二人書屋，丹青燦然，足令觀者睹畫思賢。