- 827
徐累
估價
350,000 - 450,000 HKD
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招標截止
描述
- Xu Lei
- 栖
- signed and with sealmark (lower right)
- 設色紙本 鏡框
一九九三年作
款識:纍。
鈐印:藝術家鈐印一方。
款識:纍。
鈐印:藝術家鈐印一方。
來源
倫敦,Browse & Darby畫廊
現藏者家族相傳
現藏者家族相傳
展覽
倫敦,Browse & Darby畫廊,〈中國八位畫家聯展〉,一九九五年,圖版27
香港,藝倡畫廊,〈徐累:舊夢新影〉,一九九五年三月十四至三十一日,39頁
香港,藝倡畫廊,〈徐累:舊夢新影〉,一九九五年三月十四至三十一日,39頁
出版
〈中國名畫家精品集:徐累〉,中國,石家莊,河北教育出版社,二〇〇三年,圖錄編號7
〈徐累畫集〉,中國,北京,文化藝術出版社,二〇一三年,105頁
〈徐累畫集〉,中國,北京,文化藝術出版社,二〇一三年,105頁
Condition
Overall in very good condition. Framed with acrylic.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
時至近年,當代水墨才成為市場上備受重視的藝術門類,有著傳統水墨畫基礎或受傳統水墨啟發的藝術家們也因此受到矚目。此次所展現的拍品之所以能夠進入漢普斯特德收藏,並非受市場驅動,而是出於藏家對水墨媒材及傳統水墨淵源歷史的崇高敬意。然而,更令人讚嘆的是藏家對於中國藝術的遠見卓識。他們於1980年代末來到中國,很快就注意到中國當代藝術家的非凡造詣,認為他們能夠在國際藝壇發揮自己的影響力。他們對視覺藝術獨具慧眼,並被傳統國畫畫家的精湛技藝及充滿現代情懷的構圖深深打動,認為「每一幅作品都能改變我們看待世界的方式」。1995年的「八位中國當代畫家聯展」就是受他們中國藝術收藏的啟發而舉辦,展品包括喻慧和徐累的水墨作品。該展是國際藝術市場上較早的中國當代藝術作品展,不僅體現出對中國藝術的前瞻遠見,更揭示了當代水墨畫的收藏價值。當代水墨藝術不能歸為純粹的中國藝術,也不是純粹的西方藝術,但卻是真正的當代藝術。
肩負著歷史重擔的中國畫家正逐漸掙脫傳統藝術的束縛,嘗試拓展新的詮釋方法,不斷為幾百年來備受尊崇的水墨藝術注入新的生命。在中國,藝術家被尊為知識分子,在社會與學術層面都有責任為普羅大眾文化及精神修養的提升出一份力。蘇立文(Michael Sullivan)曾寫道,中國書畫沒有所謂純粹的形式美學,藝術與倫理道德是密不可分的。如同時期的玩世現實主義及政治波普藝術家們一樣,徐累和喻慧代表著利用媒材自身去反映政治理念的一代畫家;作為師法傳統的水墨藝術家,他們一方面傳承著古法,與此同時也賦予他們作品獨特的含義。
徐累既是當代文人,亦為中國藝術史學者,細緻展示獨特風格,與世界交流對話。徐氏在其畫中向觀者喚起超現實主義的概念,然而他以中國文人畫為根基,積極探索傳統美學。他將事物置於異乎尋常、無可存在的情境之中,糅合古代傳統法則與時間、空間的當代概念,同時以過去與現在、現實與夢境作為創作依據。
屏風亦是徐累最喜愛的標誌圖案之一,啟發自明代戲劇插圖的木刻版畫,使觀者目光聚焦於舞台之上。《栖》之中,畫家以簾幕為框,細緻描繪一對明式馬蹄足方凳,藍色鸚鵡挺立其上,其羽翼精細無比,盡顯徐氏精湛的工筆畫法。座椅的正面配置凸顯空椅無人的景象,營造虛空靜寂的氛圍。不同於現實主義創作風格,要了解徐氏的超現實場景,觀者須積極置身其中,喚起更深層的意義。