- 903
丁乙
估價
1,200,000 - 1,800,000 HKD
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招標截止
描述
- Ding Yi
- 十示96-1
- 複合媒材畫布
- 一九九六年作
款識
丁乙，1996；Ding Yi，《十示96-1》，1996（作品背面）
丁乙，1996；Ding Yi，《十示96-1》，1996（作品背面）
來源
上海，香格納畫廊
現藏者購自上述來源
現藏者購自上述來源
Condition
This work is in excellent condition overall. There are no apparent condition issues with the work. Under ultraviolet light examination, there is no evidence of restoration. Unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
「《十示》系列的創作始於1988 年，那個時期中國現代藝術如同整個中國社會，正經歷着西方當代文化的衝擊與對中國傳統文化反思的轉折過程中。我需要消除掉自己背負的傳統文化的包袱和西方現代主義初期純繪畫性的影響。回到藝術的起點，從零重新開始；記得當時第一件作品是紅、黃、藍三原色，選擇十字恰恰因為它是一個泛含義的符號，而十字線曾在我從業經歷中，無數次被用來標示多次套色的過程中必須遵循的坐標式的精確細線，它只是印刷業的技術術語與符號，沒有任何用象徵手法可以獲得聯想的空間，我要濾去所有實際性，使繪畫僅僅回到形式的本質，形式即精神。」
-丁乙
-丁乙