- 558
童原 （活躍于17世紀）
估價
8,000 - 12,000 USD
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招標截止
描述
- Tong Yuan
- 四鵲柏石
- 設色絹本 立軸
款識：吳趋童原寫。鈐印：童原之印
鑒藏印：宜詮鑒賞
鑒藏印：宜詮鑒賞
展覽
一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年二月廿八日—四月十九日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日
三、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年四月廿七日—九月二日
二、《詞意流傳—跨越四百年的中國繪畫》，納什維爾弗里斯視覺藝術中心，二〇〇七年六月廿二日—十月七日
三、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年四月廿七日—九月二日
出版
一、《絹紙行旅—羅伊與瑪麗蓮 · 派普夫婦珍藏中國繪畫》，鳳凰城藝術博物館，一九九八年，圖錄編號22，第72—73頁
二、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年，圖錄編號7，第19、43、86頁
二、《中國繪畫中愛與死之隱意—羅伊與瑪麗蓮 · 派普夫婦珍藏精選》，鳳凰城藝術博物館，二〇一三年，圖錄編號7，第19、43、86頁
Condition
- Silk bears a tanned tone due to age.
- Restoration of silk loss can be found.
- Minor scratches and stain spots.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
'Tong Yuan, who is the eldest son of Xishuang (Tong Kai), is skilled in (such genres as) flower-and-bird, grass-and-insect. His brush method is elegant and refined, and his art owes as much to his persistent effort as to his (family) heritage. Not only there are none among contemporary artists who can be his match, but he could truly surpass the past masters. In temperament, he is gentle and considerate. Through his life, there was not a single instance when he was seen to speak with haste or to become unnerved and agitated. Truly he is a gentleman whose talent and virtue are equally superior.
The present painting in the Papp collection displays a flock of magpies. Each of the magpies poses in ways that we can term 'classical' in that they can be traced to antecedents in the past. In line with Tong Yuan's gentle personality, there is little drama in the painting, unless we point to the black and white contrast in the plumage and to the lively posturing of the birds, especially with their tails. All the while, the brush caresses, the ink modulates and softens, and azurite blue is applied to the rock and to feathers to increase their intense blackness.'
- Journeys on Paper and Silk, p. 72
The present painting in the Papp collection displays a flock of magpies. Each of the magpies poses in ways that we can term 'classical' in that they can be traced to antecedents in the past. In line with Tong Yuan's gentle personality, there is little drama in the painting, unless we point to the black and white contrast in the plumage and to the lively posturing of the birds, especially with their tails. All the while, the brush caresses, the ink modulates and softens, and azurite blue is applied to the rock and to feathers to increase their intense blackness.'
- Journeys on Paper and Silk, p. 72