清康熙 鬪彩綠釉雲龍戲珠紋盤 《大清康熙年製》款

well potted with shallow rounded sides supported on a gently tapering foot, painted in translucent green enamel within underglaze-blue outlines, the interior with a central medallion enclosing a five-clawed dragon writhing amongst flames in pursuit of a flaming pearl, its sinuous body carefully picked out with scales and its muscular legs terminating in powerful sharp claws, all within double-line borders in underglaze-blue repeated at the rim, the exterior similarly decorated with a pair of five-clawed dragons striding amongst flames in pursuit of flaming pearls, the base inscribed in underglaze-blue with a six-character reign mark within a double circle

Marchese Blasco Lanza d'Ajeta 收藏，至1964年
倫敦佳士得1964年10月26日，編號111 (105 gns)
Bluett & Sons Ltd，倫敦，1964年 (105 gns)
羅傑琵金頓(1928-69年)收藏，自1964年 (£165)

The dish is in very good condition with a minute burst bubble to the rim near the 2 o'clock position, also a few glaze-pull holes at the 9 and 10 o'clock positions to the rim, as visible in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

此類綠彩雲龍紋盤，源自明代雛本，於弘治正德年間尤為盛行，至晚清亦有燒製，可見其深為明清宮廷所喜。康熙款綠彩雲龍紋盤多見於重要博物館與私人收藏。如一例，荷蘭 Princessehof 博物館藏，載 Barbara Harrison，《Keramik uit Azie》，呂戈登，1985年，圖版126；另一例，展於《清瓷薈錦 : 香港藝術館藏清代陶瓷》，香港藝術館，香港，1984年，圖錄編號26；亦見一較大作例，為 H. M. Knight 舊藏，售於香港蘇富比1970年5月12日，編號94，後倫敦佳士得1987年6月8日，編號65；第四例出自《天民樓藏瓷》，香港藝術館，香港，1987年，圖版93。亦見一相近例，售於香港蘇富比1987年11月24日，編號226。

明清兩代所製綠彩雲龍紋盤，於細節之處有別。或以釉上綠彩繪雲龍，或以釉上墨彩勾勒龍紋細節，本品則以釉下青花勾邊，再著釉上綠彩二次燒就。此法與成化「鬪彩」異曲同工，僅施色單一，然對畫藝要求甚高。此盤胎、釉成色較同類略白，或為凸顯青花與綠彩之差。底部寫款以盤心雲龍圖案為準，更顯康熙官窰之謹慎細緻。

台北故宮見一類例較小，以墨彩勾勒，見於《故宮藏瓷·清彩瓷》，香港，1969年，卷一，圖版9a-c。另有一康熙款盤例，內壁繪綠彩二龍趕珠，載《故宮博物院藏清代御窰瓷器》，北京，2005年，卷一（上冊），編號69。