- 603
Pablo Picasso
估價
80,000 - 120,000 GBP
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招標截止
描述
- 巴布羅·畢加索
- Nature morte au violon
- pen and ink and charcoal on paper
- 30.5 by 19.7cm., 12 by 7 3/4 in.
來源
Estate of the artist
Marina Picasso (the artist’s granddaughter; acquired from the above)
Marina Picasso (the artist’s granddaughter; acquired from the above)
展覽
Munich, Haus der Kunst; Cologne, Josef-Haubrich-Kunsthalle; Frankfurt, Städtische Galerie im Städelschen Kunstinstitut & Zurich, Kunsthaus, Collection Marina Picasso, 1981-82, no. 77
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, 1981, no. 90
Tokyo, National Museum of Modern Art & Kyoto, Municipal Museum, Picasso, Masterpieces from the Marina Picasso Collection and from Museums in USA and USSR, 1983, no. 63
Melbourne, National Gallery of Victoria & Sydney, Art Gallery of New South Wales, Picasso, 1984, no. 46
Bercelona, Fundacio Caixa de Barcelona, Picasso cubista 1907-1920, Colección Marina Picasso, 1987, no. 39, illustrated in the catalogue
New York, Jan Krugier Gallery, Pablo Picasso, Cubist Works from the Marina Picasso Collection, 1987, no. 30
Tokyo, Tokyo Station Gallery, Pablo Picasso: Focused on Cubist Works from the Marina Picasso Collection, 1988, no. 18
Valencia, IVAM Centre Julio Gonzalez, Picasso Dibujos 1899 - 1917, 1989, no. 31
Tokyo, Seibu Art Forum & Ohtsu, Seibu Hall, Pablo Picasso, Collection Marina Picasso, 1990-91, no. 38, illustrated in the catalogue
Paris, Hôtel de Ville, Autour du violon, 1995, n.n., illustrated in the catalogue
Geneva, Musée Barbier-Mueller, Picasso, L'Africain, 1998, no. 14
Schwerin, Staatliches Museum, Pablo Picasso, Der Reiz der Fläche/The Appeal of Surface, 1999, no. 30, illustrated in the catalogue
Geneva, Galerie Jan Krugier, Ditesheim & Cie & New York, Jan Krugier Gallery, Pablo Picasso, Metamorphoses, œuvres de 1898 à 1973 de la Collection Marina Picasso, 2001-02, no. 16, illustrated in the catalogue
Venice, Centro di Cultura di Palazzo Grassi, Picasso, Opere dal 1895 al 1971 dalla Collezione Marina Picasso, 1981, no. 90
Tokyo, National Museum of Modern Art & Kyoto, Municipal Museum, Picasso, Masterpieces from the Marina Picasso Collection and from Museums in USA and USSR, 1983, no. 63
Melbourne, National Gallery of Victoria & Sydney, Art Gallery of New South Wales, Picasso, 1984, no. 46
Bercelona, Fundacio Caixa de Barcelona, Picasso cubista 1907-1920, Colección Marina Picasso, 1987, no. 39, illustrated in the catalogue
New York, Jan Krugier Gallery, Pablo Picasso, Cubist Works from the Marina Picasso Collection, 1987, no. 30
Tokyo, Tokyo Station Gallery, Pablo Picasso: Focused on Cubist Works from the Marina Picasso Collection, 1988, no. 18
Valencia, IVAM Centre Julio Gonzalez, Picasso Dibujos 1899 - 1917, 1989, no. 31
Tokyo, Seibu Art Forum & Ohtsu, Seibu Hall, Pablo Picasso, Collection Marina Picasso, 1990-91, no. 38, illustrated in the catalogue
Paris, Hôtel de Ville, Autour du violon, 1995, n.n., illustrated in the catalogue
Geneva, Musée Barbier-Mueller, Picasso, L'Africain, 1998, no. 14
Schwerin, Staatliches Museum, Pablo Picasso, Der Reiz der Fläche/The Appeal of Surface, 1999, no. 30, illustrated in the catalogue
Geneva, Galerie Jan Krugier, Ditesheim & Cie & New York, Jan Krugier Gallery, Pablo Picasso, Metamorphoses, œuvres de 1898 à 1973 de la Collection Marina Picasso, 2001-02, no. 16, illustrated in the catalogue
出版
Christian Zervos, Pablo Picasso, Paris, 1954, vol. XXVIII, no. 66, illustrated p. 30
Josep Palau i Fabre, Picasso, Cubisme 1907-1917, Paris, 1990, no. 711, illustrated p. 258
Josep Palau i Fabre, Picasso, Cubisme 1907-1917, Paris, 1990, no. 711, illustrated p. 258
Condition
Executed on cream wove paper, not laid down. The sheet is affixed to the mount at intermittent points along the perimeter of the verso and is floating in its mount. The edges are very slightly uneven and deckled. Some fine sinuous creases to the sheet, notably running from towards the centre of the left edge and across the centre of the composition, which are not visually distracting. There is a small surface scratch at upper right. Some light time-staining and a few faint specks of foxing in places. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."