龐均

款識：
龐均 2015 均（右下）

亞洲私人收藏

This work is in overall very good condition. There is no apparent inpainting upon UV light examination.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

繾綣仙凡間

龐均油畫富於濃厚的東方詩情，其風景作品尤以層次豐富的綠色與灰色調子見勝，曲盡東方文山秀水之妙。二〇一五年六月，藝術家在東京上野之森美術館舉行大型回顧展，日本評論家冨田章（Tomika Akira）讚揚其作品具有「東洋表現主義」特徵，色彩運用富於文人氣息，重視線條的力量，強調畫面的和諧性多於衝突性，體現東方世界的審美格調，此一格調從中國風物出發，進而沁入各種主題。在《莫奈的花園》（拍品編號5057），藝術家以宏大尺幅登入西方印象派之殿堂，在季凡尼（Giverny）的莫奈故居取景，即是向西方近現代色彩學之源頭致敬，亦是以東方油畫挑戰西方的自信表現。季凡尼陽光充沛、雲彩變幻，莫奈花園更是遍植奇葩，在水天光色交映下如萬花筒般絢麗。龐均在此發揮其孕育於東方的色彩技巧，以數十種不同調子的豐富綠彩布局畫面；其與西方油畫的最大分別，是以色彩駕馭光影，故此現實中陽光所不及處，在畫中不顯得陰翳，而是以深邃蘊藉的色彩表現；而日照所及之處，更是變化細膩，由此產生縱深、寛廣和量感，欣賞過程亦從目觀而至於神遊；《靜物》（拍品編號5058）則以暖色調表呈瓶花和水果，溫煦的背景襯托著桌上金黃的銀杏與青澀的蘋果、葡萄、香蕉和鳳梨，洋溢生活中的幸福感，聯繫著理想與現實之美。