- 2882
沈周 1427-1509
估價
1,200,000 - 2,000,000 HKD
Log in to view results
招標截止
描述
- Shen Zhou
- 九段錦
- 設色紙本 九開冊
署簽：沈石田九段錦。八十四叟虛齋署。鈐印：「元濟」、「虛齋」
款識：沈周。鈐印：「啟南」(八鈐)
鑒藏印：「士奇」(半印，鈐於倣王孟端一開右下方)、「琅琊王敬美氏收藏圖書」(鈐於裱邊)、「高氏江邨草堂珍藏書畫之印」(鈐於裱邊)、「真知此中之玅」(鈐於裱邊)
題跋：
(一)苕溪秋高水初落，菱花已老菱生角。紅裙緑髻誰家娘，小艇如梭不停泊。三三五五共采菱，纎纎十指寒如冰。不怕手寒并刺損，只恐歸家無斗升。湖州人家風俗美，男解畊田女絲枲，採菱即是採桑人，又與夫家助生理，日落靑山起暮煙。湖波十裡鏡中天，淸歌一曲循歸路，不似耶溪唱采蓮。繼南出其兄石田生所畫採菱圖求詩，一時不能即就，因書舊作如上，然圖景與詩意頗合，亦云可也。成化七年辛卯(1471)陽月，望鹿冠老人杜瓊書，時年七十又六。鈐印：「杜氏用佳」
(二)余自屐往來廣陵踰四十年，十年前即聞臨潼張君一齋名而來識也，十年之中知其善收藏，能鑒別，凡古奇器，若高辛氏銅盤、太康玉辟邪，傾貲得之。唐宋書畫名蹟亦復不少，前歲仲春不戒于火，其傾貲所得者，皆成劫灰矣。幸存者相城石田翁山水畫冊，冊計九幅，吾鄉先輩高文恪公《銷夏錄》所載九段是也。今年六月張君重裝為卷，屬好友王徵士梅沜乞金一字之評，展觀締視，恍然置身在巖壑深處也。冊上石田翁只署名姓，無題詞，無歲月，審其用筆，渲青淺絳，清潤可尋，殆是成化間所畫也。內第一幅至第九幅紙尾尚留燒痕，華亭董宗伯一跋亦為祝融奪去，何礙乎神明耶？末有石田翁同里杜東原隱君詩，隱君乃吳中耆宿，書之時年七十六，顧余七十有三又為張君書，豈偶然也哉。乾隆二十四年(1759)長夏，杭郡金農跋。鈐印：「金氏壽門」
款識：沈周。鈐印：「啟南」(八鈐)
鑒藏印：「士奇」(半印，鈐於倣王孟端一開右下方)、「琅琊王敬美氏收藏圖書」(鈐於裱邊)、「高氏江邨草堂珍藏書畫之印」(鈐於裱邊)、「真知此中之玅」(鈐於裱邊)
題跋：
(一)苕溪秋高水初落，菱花已老菱生角。紅裙緑髻誰家娘，小艇如梭不停泊。三三五五共采菱，纎纎十指寒如冰。不怕手寒并刺損，只恐歸家無斗升。湖州人家風俗美，男解畊田女絲枲，採菱即是採桑人，又與夫家助生理，日落靑山起暮煙。湖波十裡鏡中天，淸歌一曲循歸路，不似耶溪唱采蓮。繼南出其兄石田生所畫採菱圖求詩，一時不能即就，因書舊作如上，然圖景與詩意頗合，亦云可也。成化七年辛卯(1471)陽月，望鹿冠老人杜瓊書，時年七十又六。鈐印：「杜氏用佳」
(二)余自屐往來廣陵踰四十年，十年前即聞臨潼張君一齋名而來識也，十年之中知其善收藏，能鑒別，凡古奇器，若高辛氏銅盤、太康玉辟邪，傾貲得之。唐宋書畫名蹟亦復不少，前歲仲春不戒于火，其傾貲所得者，皆成劫灰矣。幸存者相城石田翁山水畫冊，冊計九幅，吾鄉先輩高文恪公《銷夏錄》所載九段是也。今年六月張君重裝為卷，屬好友王徵士梅沜乞金一字之評，展觀締視，恍然置身在巖壑深處也。冊上石田翁只署名姓，無題詞，無歲月，審其用筆，渲青淺絳，清潤可尋，殆是成化間所畫也。內第一幅至第九幅紙尾尚留燒痕，華亭董宗伯一跋亦為祝融奪去，何礙乎神明耶？末有石田翁同里杜東原隱君詩，隱君乃吳中耆宿，書之時年七十六，顧余七十有三又為張君書，豈偶然也哉。乾隆二十四年(1759)長夏，杭郡金農跋。鈐印：「金氏壽門」
Condition
- Minor loss of paper at the bottom left and upper right of each painting, slightly retouched
- Minor mold stains can be found
- Paper bears slightly tanned tone at the edge due to age
- (first leaf) Minor loss of color and minor creases
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註： 《九段錦》以仿古人筆法為本，與京都博物館本為雙胞，惜後者自沈梧題跋以來便失三開，分別為「倣黄鶴山樵」、「倣吳仲圭」、「倣李成」。據《江村銷夏錄》第一卷記，此三開內容如下：「倣黄鶴山樵，長松三株，上裊藤蘿，枝柯四䕃，一人攜琴緩步，將度溪橋，隔岸青回，景物閒暢。」；「倣吳仲圭水墨，蒼山細樹，微徑逶迤，樵子越嶺將歸，筆氣清潤」；「倣李成，雪山巃嵸，東西對峙，深林積雪，野水凝冰，旅客緣崖，驘網路滑，長橋過客，拄杖生愁，儼然風雪打頭，當暑展觀心神皆冷」，均與本冊吻合。此外，「款在左方，覆以啟南字印」之語，亦與本冊相符，箇中原委，待考。
密韻樓早期稱「傳書堂」，是浙江南潯藏書家蔣汝藻(1876–1954)的藏書樓，因復得祖傳宋代湖州詞人周密著《草窗韵語》孤本，故改稱「密韻樓」。蔣氏字元采，號孟蘋，別署樂庵，實業家。其藏書豐富，以宋元善本為多，是清末民初湖州四大藏書樓之一。
蔣汝藻長子蔣祖詒(1902–1973)，字穀孫，號顯堂，又號峴翁。濡染家學，師從王國維先生，善辨碑拓古藉，精鑒書畫，嗜古器物，收藏經眼甚廣，與吳湖帆、龐萊臣、葉恭綽、譚敬、張珩等時有往來易物。40年代移居台灣，曾參與1961年「中國古藝術品展覽會」之設置展品審議，於美國等地展出多件國立故宮博物院之文物精品。晚年曾授教於台灣大學，常與莊尚嚴、台靜農等談藝賞翫，台靜農先生著《題顯堂所藏書畫錄》可窺探其收藏之精妙。
密韻樓早期稱「傳書堂」，是浙江南潯藏書家蔣汝藻(1876–1954)的藏書樓，因復得祖傳宋代湖州詞人周密著《草窗韵語》孤本，故改稱「密韻樓」。蔣氏字元采，號孟蘋，別署樂庵，實業家。其藏書豐富，以宋元善本為多，是清末民初湖州四大藏書樓之一。
蔣汝藻長子蔣祖詒(1902–1973)，字穀孫，號顯堂，又號峴翁。濡染家學，師從王國維先生，善辨碑拓古藉，精鑒書畫，嗜古器物，收藏經眼甚廣，與吳湖帆、龐萊臣、葉恭綽、譚敬、張珩等時有往來易物。40年代移居台灣，曾參與1961年「中國古藝術品展覽會」之設置展品審議，於美國等地展出多件國立故宮博物院之文物精品。晚年曾授教於台灣大學，常與莊尚嚴、台靜農等談藝賞翫，台靜農先生著《題顯堂所藏書畫錄》可窺探其收藏之精妙。