- 276
宋光寶 飣股真色圖卷
估價
80,000 - 120,000 HKD
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招標截止
描述
- Song Guangbao
- 設色紙本 手卷
- ink and colour on paper, handscroll
吳鳴署簽
易大厂題引首
陳運彰、吳鳴題跋
簽書：
宋蕅塘〈飣股真色圖〉。乙酉暮春三月，罔州喜雨廔主書贉。
引首：
飣股真色。
蕅塘先生賦色迥出宋元窠臼，一以目驗為實。在吾里久扵珠江南岸居家，至有淵源，鄉人至今以得先生楮墨為樂。是卷諸果實宛若杪生，而使采愈黯黮愈神永，非凡品也，喜志一二。大厂居士孺。
款識：
雲谷農部先生鑒賞。吳趨宋光寶。
後跋：
〈陳運彰〉
吳中畫師南天客，老至丹青探妙賢。即今宗派孰與傳，明麗妍秀留遺格。風滿高樓劫灰餘，畫禪尤見寫生圖。試評活相度新曲，押尾慙工種菓書。陳運彰奉古谿主人教題。丁丑七月廿八日。
〈吳鳴〉
吾粵以寫生稱於世者，李□真、林以善、吳山帶、郭東郊若子耳。嗣宋藕塘移家嶺南始，以沒骨法傳於藝林，傳神貌物，賦色雅澹，百年以還，無出其右，其人品高潔尤足為畫者楷模。若徒以吮毫設色，絢世炫俗為能事者，則愧對古人，量後之學者以為然爾？培樾大兄屬題，喜雨樓主人獲觀并識，時乙酉暮春三月。
鈐印：
〈宋〉 「畫禪室」。
〈吳〉 「罔州吳氏」、「吳鳴私印」、「喜雨樓」。
〈易〉 「大厂居士」。
〈陳〉 「運彰私印」。
藏印：「岡州吳氏挹翠閣印」、「莫培樾藏」。
易大厂題引首
陳運彰、吳鳴題跋
簽書：
宋蕅塘〈飣股真色圖〉。乙酉暮春三月，罔州喜雨廔主書贉。
引首：
飣股真色。
蕅塘先生賦色迥出宋元窠臼，一以目驗為實。在吾里久扵珠江南岸居家，至有淵源，鄉人至今以得先生楮墨為樂。是卷諸果實宛若杪生，而使采愈黯黮愈神永，非凡品也，喜志一二。大厂居士孺。
款識：
雲谷農部先生鑒賞。吳趨宋光寶。
後跋：
〈陳運彰〉
吳中畫師南天客，老至丹青探妙賢。即今宗派孰與傳，明麗妍秀留遺格。風滿高樓劫灰餘，畫禪尤見寫生圖。試評活相度新曲，押尾慙工種菓書。陳運彰奉古谿主人教題。丁丑七月廿八日。
〈吳鳴〉
吾粵以寫生稱於世者，李□真、林以善、吳山帶、郭東郊若子耳。嗣宋藕塘移家嶺南始，以沒骨法傳於藝林，傳神貌物，賦色雅澹，百年以還，無出其右，其人品高潔尤足為畫者楷模。若徒以吮毫設色，絢世炫俗為能事者，則愧對古人，量後之學者以為然爾？培樾大兄屬題，喜雨樓主人獲觀并識，時乙酉暮春三月。
鈐印：
〈宋〉 「畫禪室」。
〈吳〉 「罔州吳氏」、「吳鳴私印」、「喜雨樓」。
〈易〉 「大厂居士」。
〈陳〉 「運彰私印」。
藏印：「岡州吳氏挹翠閣印」、「莫培樾藏」。
來源
澳門著名收藏家吳鳴「挹翠閣」舊藏
Condition
-Paper has turned greyish due to age. Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
「五十萬卷樓」收藏名家書畫（編號272-288）
近世廣東藏書之富，當首推東莞莫伯驥「五十萬卷樓」。莫伯驥（1878-1958），字天一，少年學醫，畢業後於廣州設「仁壽西藥房」。莫氏一家以田力讀書為彝訓，陳編世守，嬋嫣不絕。莫伯驥父啟智精研宋學，所藏宋元名臣大儒遺書森森連屋；伯驥少年時因生計，棄儒從商而致富，獨甘飯蔬食，痴迷古書，練積三四十年如一日，終以五十萬卷藏書「上企瞿楊，無慚丁陸」，惜其藏書大多散失於抗戰亂世動盪歲月，著作五十餘種亦毀於戰火，惟存出版〈五十萬卷樓藏書目錄初編〉及〈五十萬卷樓群書跋文〉兩種。
本輯所集莫氏收藏書畫十七件，或為藝壇時賢贈予者，若黃賓虹為莫氏父子四十年代中後期所作系列畫作之一〈庸言書屋圖〉、盧子樞為伯驥子培樾所寫山水冊頁；或為出於地緣關係所集嶺南一地書畫，若宋光寶、二居、葉衍蘭等清中晚期活躍於當地之畫家；亦有伊秉綬、趙之謙、任伯年近代藝壇翹楚，令人得以窺見莫氏收藏趣味境界。
上款：「雲谷」即葉夢龍（1775-1832），廣州人，官至戶部郎中，故又稱曰「農部」。精鑒別，居官京城時結交皆一時勝流，與翁方綱、伊秉綬、湯貽汾等俱友善，歸里後築「倚山樓」，金石、書畫收藏頗豐。有〈風滿樓書畫錄〉、〈友師齋集古帖〉等。宋光寶贈葉雲谷畫作有多幅存世，容庚認為宋氏客居葉家十載，日夕往還，作畫數百，可窺知二人往來頗多。
註：宋光寶此卷繪柿、栗、梨、葡萄、菱角、石榴等鮮菓近十種，畫意生拙，沉著無輕佻，盎然有卷軸氣。宋氏字藕塘，蘇州人，生卒年不詳，一八四八年即受李秉綬禮聘，於桂林、廣州兩地傳授繪事，終定居廣州以終老。作畫能寫生，工筆學北宋，逸筆宗陳道復、惲壽平兩種畫風，居巢居廉兄弟皆受其畫法影響，可謂開「嶺南畫派」之先軀。