- 594
古干
估價
80,000 - 120,000 HKD
招標截止
描述
- Gu Gan
- 浪
- 設色紙本 鏡框
- 二〇〇六年作
款識：浪。〇六年元月，古干。
鈐印：「樂」、「長壽」、「古干畫印」。
鈐印：「樂」、「長壽」、「古干畫印」。
來源
直接購自藝術家
「墨源新思」收藏
「墨源新思」收藏
出版
郭繼生，〈當代中國水墨畫〉（美國，紐約，Distributed Art Publishers；中國，香港，Timezone 8，二〇一〇年），133頁
Condition
Overall in good condition. Overall framed dimensions: 102.6 by 103.2 cm; 40⅜ by 40⅝ in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
古干被譽為現代派中國書法的關鍵人物，亦是著有影響深遠的《現代派書法三步》一書。此書初版以英文於1990年發行，兩年後發行中文版。學者戈登·巴拉斯（Gordon Barrass）「現代派書法的最終目的是為傳遞意念、帶來美學的感動，而非追隨傳統書法的老路。在傳統書法中，文字不僅篇幅較長，更對整體效果影響甚深。」1
中文字為象形符號演變而成，古干不但視現代派書法為一門抽象藝術，更是中華文化、歷史、哲學的結晶。他向中國傳統「天人合一」的觀念取經，其作品先由書寫單字開始，繼而揭示文字的象形符號特質，直至形意兩相平衡，方為上品。是次上拍作品為一「浪」字，先以揮灑大氣揮毫寫字，繼而輕柔渲染。古干更親自鐫刻印章，上面刻有女子與魚，沾上硃砂印於作品上，使「浪」字的內涵更趨圓滿，亦向印章所代表之鑑賞與收藏傳統致意。文字之虛、圖像之實，兩相平衡調和，既帶出「浪」的字義與氣質，亦對書法藝術提供創意的解構角度。古氏大作為世界眾多重要博物館及藏家所收藏。1996年，古干在國際藝壇嶄露頭角，獲知名酒莊木桐堡邀請設計酒標，較早前為該酒莊設計的藝術家有畢加索、馬蒂斯、康丁斯基、米羅等，古干是首位獲邀的中國藝術家。
1 巴拉斯，戈登·S，《現代中國書法藝術》，加州大學出版社；大英博物館出版社，2002年，第184頁
中文字為象形符號演變而成，古干不但視現代派書法為一門抽象藝術，更是中華文化、歷史、哲學的結晶。他向中國傳統「天人合一」的觀念取經，其作品先由書寫單字開始，繼而揭示文字的象形符號特質，直至形意兩相平衡，方為上品。是次上拍作品為一「浪」字，先以揮灑大氣揮毫寫字，繼而輕柔渲染。古干更親自鐫刻印章，上面刻有女子與魚，沾上硃砂印於作品上，使「浪」字的內涵更趨圓滿，亦向印章所代表之鑑賞與收藏傳統致意。文字之虛、圖像之實，兩相平衡調和，既帶出「浪」的字義與氣質，亦對書法藝術提供創意的解構角度。古氏大作為世界眾多重要博物館及藏家所收藏。1996年，古干在國際藝壇嶄露頭角，獲知名酒莊木桐堡邀請設計酒標，較早前為該酒莊設計的藝術家有畢加索、馬蒂斯、康丁斯基、米羅等，古干是首位獲邀的中國藝術家。
1 巴拉斯，戈登·S，《現代中國書法藝術》，加州大學出版社；大英博物館出版社，2002年，第184頁