- 530
賈雲娣
估價
40,000 - 60,000 HKD
招標截止
描述
- Jia Yundi
- 等
- 水墨紙本 鏡框
- 二〇一三年作
二〇一三年作
款識：雲娣。
鈐印：「賈」。
款識：雲娣。
鈐印：「賈」。
來源
亞洲私人收藏
Condition
Overall in good condition. Overall framed dimensions: 90.8 by 65.9 cm; 35¾ by 26 in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
賈雲娣1978年生於北京，為水墨畫大師賈又福之女。賈雲娣與父親同於中央美術學院研習國畫，她在2010年畢業後留校任教。有別於其父親受太行山啟發、大氣磅礡的山水畫，賈雲娣選擇描繪更私密隱秘的空間，通常是明暗黑白對比強烈的室內景致。光線從打開的門窗透進室內，透過一點固定的視角，邀請觀者尋幽。賈氏上承荷蘭黃金時代油畫對光的探索，運用紙墨之間的對比，以寫實手法描繪空間及氛圍。賈氏作品亦多見一點透視手法，與傳統中國書畫大相逕庭，因傳統中國書畫多採大氣透視、多重視角等手法，其父所繪之巨幅山水即為最佳典例。賈雲娣的畫作既保留傳統底蘊，亦為水墨傳統提供嶄新方向。