- 2726
周梓 臨安山色圖
估價
150,000 - 200,000 HKD
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招標截止
描述
- Zhou Zi
- 水墨紙本 手卷 一九○六年作
- ink on paper, handscroll
吳昌碩題引首
陸恢、張曾疇題跋
引首：
丘壑美無度。丁未暮春，吳俊卿瑑耑。
款識：
臨安山色。
丙子秋七月，倣巨然法。海虞石谷子王翬。
丙午夏六月，平江周梓摹。
題跋：
〈陸〉
石谷王先生山水合南北二宗為一家，其所臨宋元名蹟不能悉數，故得陶鎔此無所不能之筆，至晚歲尤於董巨黃王三致意焉。是卷乃仿巨然僧臨安山色，今原本歸烏程龐氏，尚未至龐時，喬年世長於京邸見之，冥心默坐追索古神，是即以石谷之緬想巨然者，緬想石谷也。古人今人，間不容髮，惟在精神契合耳。恢於此事涉歷有年，惟性質鈍滯不能悟入，而臨摹甘苦尚能窺見藩籬，故於喬年所臨卷不禁歡喜讚歎而欣然記之。丁未秋八月，書於滬上。廉夫陸恢。
〈張〉
耕煙〈重江疊嶂圖卷〉長六丈三尺，為國朝第一精品。
純廟題云：盡態極妍凝神靜思。客臘於京師，見耕煙仿荊浩筆意巨軸，原題有「雲迷古木千章秀，山抱晴川一掌平」二句，亦為罕見至寶，嶺南辛氏以重價得之。今展玩喬年此卷，能得神似，若蕭誠工臨古帖，海嶽最精鉤橅，名手精墨，均為世所寶貴。
劭盦仁兄明窗凈几，筆硯精良，暇時展讀，知無異晤對清暉也。戊申仲春，金匱張曾疇時在都門。
鈐印：
〈吳〉 「安吉吳俊章」。
〈周〉 「喬年」、「喬年」（三鈐）。
〈陸〉 「陸恢私印」、「廉夫」。
〈張〉 「張曾疇印」、「潛園名士」。
陸恢、張曾疇題跋
引首：
丘壑美無度。丁未暮春，吳俊卿瑑耑。
款識：
臨安山色。
丙子秋七月，倣巨然法。海虞石谷子王翬。
丙午夏六月，平江周梓摹。
題跋：
〈陸〉
石谷王先生山水合南北二宗為一家，其所臨宋元名蹟不能悉數，故得陶鎔此無所不能之筆，至晚歲尤於董巨黃王三致意焉。是卷乃仿巨然僧臨安山色，今原本歸烏程龐氏，尚未至龐時，喬年世長於京邸見之，冥心默坐追索古神，是即以石谷之緬想巨然者，緬想石谷也。古人今人，間不容髮，惟在精神契合耳。恢於此事涉歷有年，惟性質鈍滯不能悟入，而臨摹甘苦尚能窺見藩籬，故於喬年所臨卷不禁歡喜讚歎而欣然記之。丁未秋八月，書於滬上。廉夫陸恢。
〈張〉
耕煙〈重江疊嶂圖卷〉長六丈三尺，為國朝第一精品。
純廟題云：盡態極妍凝神靜思。客臘於京師，見耕煙仿荊浩筆意巨軸，原題有「雲迷古木千章秀，山抱晴川一掌平」二句，亦為罕見至寶，嶺南辛氏以重價得之。今展玩喬年此卷，能得神似，若蕭誠工臨古帖，海嶽最精鉤橅，名手精墨，均為世所寶貴。
劭盦仁兄明窗凈几，筆硯精良，暇時展讀，知無異晤對清暉也。戊申仲春，金匱張曾疇時在都門。
鈐印：
〈吳〉 「安吉吳俊章」。
〈周〉 「喬年」、「喬年」（三鈐）。
〈陸〉 「陸恢私印」、「廉夫」。
〈張〉 「張曾疇印」、「潛園名士」。
來源
香港蘇富比，一九九六年四月，中國書畫拍賣，編號140
Condition
-Signs of creases can be found on the bottom of frontispiece. A crack can be found on the bottom of middle part of the painting, otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：本幅摹自王翬於康熙三十五年（1696）所寫之〈臨安山色〉。按陸恢題跋曰：原卷未歸龐虛齋時周梓得睹於京師，「冥心默坐」、「緬想石谷」，遂臨成此卷。若兩卷對照互參，除開首處欠牛犢放牧林間之小節外，餘下山重水複、浮嵐江水，動如鳥掠舟盪，靜若幽徑靜廬，細似岸渚葦草，構圖幾無二致，卷長尋丈，凡四紙接成。喬年運筆鬆秀，用墨淡而不薄，於緊密處重重點劃，層次清晰，細緻精微中無滯塞之弊，氣息流暢。雖曰規模耕烟，非生硬搬移過紙，卻是神采煥然，韻味醇厚，恰如廉夫謂「古人今人……惟在精神契合耳」，一語盡其旨也。
本卷保留當年裝裱，亦百載矣。復具吳缶老篆書大字題耑，陸廉夫跋卷尾，滬上名家，語皆讚嘆，喬年作品傳世既稀，致畫名不彰，今藉此卷，足顯其藝以垂後世。
參考資料：
王翬〈臨安山色〉卷可參見〈支那南畫大成〉第十五卷（東京，興文社，一九三六年三月），頁59-61
本卷保留當年裝裱，亦百載矣。復具吳缶老篆書大字題耑，陸廉夫跋卷尾，滬上名家，語皆讚嘆，喬年作品傳世既稀，致畫名不彰，今藉此卷，足顯其藝以垂後世。
參考資料：
王翬〈臨安山色〉卷可參見〈支那南畫大成〉第十五卷（東京，興文社，一九三六年三月），頁59-61