- 2724
黃賓虹 研山圖
估價
400,000 - 600,000 HKD
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招標截止
描述
- Huang Binhong
- 水墨紙本 鏡框
- ink on paper, framed
款識：
宋米襄陽得江南李後主研山，著於陶南村〈輟耕錄〉。此石流傳明代，歸新安許文穆，又歸秀水朱文恪。清康熙中猶在文恪曾孫竹垞檢討家，王漁洋於古藤書屋觀之，為作七古詩，坿以截句寄竹垞，云「南唐寶石刼灰餘，長與幽人伴著書；青峭數峯無恙在，不湏淚滴玉蟾蜍」，後為崑山徐司冦購去。翁覃谿閣學曾於羅兩峯觀音庵見之，謂借此石至蘇米齋，為之攷辨，相伴十日，屬兩峯為作圖，以補仲圭之蹟，又邀同時諸公為詩，以踵王朱諸前輩之遺韵。研山橫逕七寸八分，高低凡六峯。其右之第一峯，截然突起，微類筍形，頂有竅穴，曰玉筍峯。第二峯曰方壇，下瘦上廣，方平瑩潔，故壇名焉，一小峯附其下。中一峯，高四寸餘，聳峭挺立，勢若卷旗，曰華蓋峯。稍下為月嵓，圓竇相通。其左之第一峯，斜連坡陀，後漫前俛。第二峯嶐崇離出，高不及三寸，有數十仞之象，亦有小竇嵌空。其第三峯則與華蓋峯相連，而岡阜樸野，曰翠巒者是也。龍池在其下，滴水少許，經旬不竭，下洞在方壇之趾，上洞據華蓋之麓。下洞三折，可通上洞，色墨而有光，巑岏岝崿，無斧鑿痕，望之蒼翠欲滴，襄陽所謂不假雕琢，渾然天成者也。
丹翁先生喜風雅，能詩歌，嘗遷新安，游吳越，於許文穆、朱文恪、徐司冦之故里皆所習經，賞覽山川，緬懷文獻，而託情於研山，屬拙筆以為之圖。余稽覃谿之言，知當時此石尚存崑山徐氏，今距百餘年，滄桑幾易，不識尚在人間否，兩峯之畫亦不可見，而見漁洋、竹垞、覃谿諸公之詩文，則是圖將坿，君有佳什以傳，幸已。賓虹。
鈐印：獸印一具。
宋米襄陽得江南李後主研山，著於陶南村〈輟耕錄〉。此石流傳明代，歸新安許文穆，又歸秀水朱文恪。清康熙中猶在文恪曾孫竹垞檢討家，王漁洋於古藤書屋觀之，為作七古詩，坿以截句寄竹垞，云「南唐寶石刼灰餘，長與幽人伴著書；青峭數峯無恙在，不湏淚滴玉蟾蜍」，後為崑山徐司冦購去。翁覃谿閣學曾於羅兩峯觀音庵見之，謂借此石至蘇米齋，為之攷辨，相伴十日，屬兩峯為作圖，以補仲圭之蹟，又邀同時諸公為詩，以踵王朱諸前輩之遺韵。研山橫逕七寸八分，高低凡六峯。其右之第一峯，截然突起，微類筍形，頂有竅穴，曰玉筍峯。第二峯曰方壇，下瘦上廣，方平瑩潔，故壇名焉，一小峯附其下。中一峯，高四寸餘，聳峭挺立，勢若卷旗，曰華蓋峯。稍下為月嵓，圓竇相通。其左之第一峯，斜連坡陀，後漫前俛。第二峯嶐崇離出，高不及三寸，有數十仞之象，亦有小竇嵌空。其第三峯則與華蓋峯相連，而岡阜樸野，曰翠巒者是也。龍池在其下，滴水少許，經旬不竭，下洞在方壇之趾，上洞據華蓋之麓。下洞三折，可通上洞，色墨而有光，巑岏岝崿，無斧鑿痕，望之蒼翠欲滴，襄陽所謂不假雕琢，渾然天成者也。
丹翁先生喜風雅，能詩歌，嘗遷新安，游吳越，於許文穆、朱文恪、徐司冦之故里皆所習經，賞覽山川，緬懷文獻，而託情於研山，屬拙筆以為之圖。余稽覃谿之言，知當時此石尚存崑山徐氏，今距百餘年，滄桑幾易，不識尚在人間否，兩峯之畫亦不可見，而見漁洋、竹垞、覃谿諸公之詩文，則是圖將坿，君有佳什以傳，幸已。賓虹。
鈐印：獸印一具。
來源
香港蘇富比，一九九六年四月，中國書畫拍賣，編號97
Condition
-Signs of restoration can be found, where there appears to be paper loss previously. Paper has turned greyish due to age, tiny areas of paper losses can be found and a few inscription characters are affected, which can be improved by restoration. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：宋代米芾好石有名，所得研山乃南唐故物，歷代流傳有緒，由此衍生之〈研山銘圖〉被奉曰寶繪劇迹。黃賓老亦嗜古物，好收藏，以考研辨識為樂，研山之故事，瞭之甚詳。雖未睹當年羅兩峯應翁覃谿所倩為研山作圖，惟其腹笥甚寬，遂據朱竹垞文集所鈙研山形狀之細貌，參諸王士禎、翁方綱之詩，為藝友圖成此幅。
圖中佈局極簡，純為研山存真，其狀如掌張指伸，高低參差錯落，又似峯巒起伏，崚嶒曲突，天然中見斧鑿砍劈之勢。畫家雖按文字記錄，參合意會，寫來卻如對物寫生，極得自然之貌。以枯筆渴墨寫之，綫條簡鍊，渾厚中流露古樸氣息，千年後為古物存照，賓老窮其神矣。
畫上無署年，按筆墨及題跋書法攷之，應屬六十餘歲之作。
圖中佈局極簡，純為研山存真，其狀如掌張指伸，高低參差錯落，又似峯巒起伏，崚嶒曲突，天然中見斧鑿砍劈之勢。畫家雖按文字記錄，參合意會，寫來卻如對物寫生，極得自然之貌。以枯筆渴墨寫之，綫條簡鍊，渾厚中流露古樸氣息，千年後為古物存照，賓老窮其神矣。
畫上無署年，按筆墨及題跋書法攷之，應屬六十餘歲之作。