唐 三彩長頸瓶

the elegant ovoid body rising from a splayed foot to a narrow neck and flared rim, applied with a white slip and splashed with amber, green and transparent glazes over a resist lozenge pattern, partially merging to an olive tone, continuing into the interior of the mouth and stopping unevenly above the foot to reveal the pinkish-buff body, two Japanese wood boxes (5)

東京佳士得1980年2月16至17日，編號733

《東洋古美術展》，日本橋三越，東京，1974年，編號5
《ヨーロッパ秘蔵 古伊万里·柿右衛門·古陶磁展》，日本橋高島屋，東京， 1975年，編號9
《開館特別出品「精品選集」》，九州國立博物館，福岡，2005年，編號40

In good general condition, with the glaze degraded in areas. A kiln adhesion to the inside of the mouth; two old shallow chips to foot. Surface wear and kiln imperfections as characteristic of the period.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The form of the present vase is inspired by Buddhist holy water flasks, amrta kalasha, an attribute of the Bodhisattva, as seen in wall paintings of the Sui and Tang period. See a bronze example and cover formerly in the collection of Desmond Gure, included in the exhibition Loan Exhibition of The Arts of the T'ang Dynasty, The Oriental Ceramic Society, London, 1955, cat. no. 366; and an engraved silver-gilt example, sold in our London rooms, 15th March 1973, lot 485.

Three Tang dynasty bottles of this form in the Royal Ontario Museum, one in bronze together with a clear-glazed and a sancai-glazed stoneware example, illustrate the popularity of this form during the Tang dynasty, see Royal Ontario Museum. The T.T. Tsui Galleries of Chinese Art, Toronto, 1996, pl. 67. Compare also a sancai-glazed bottle vase, formerly in the collection of Eugene Bernat, also including in the 1955 exhibition, illustrated ibid, cat. no. 134; another from the collection of Alan and Simone Hartman, sold at Christie's New York, 20 March 2001, lot. 119 and a third illustrated in Mayuyama, Seventy Years, vol. 1, Tokyo, 1976, pl. 242.