China--'Hundred Boys' Festival

Oblong folio (248 x 360mm.), 11 images printed and painted on rice paper, mounted with blue tape on heavy paper stock, contemporary red boards with string closure, protective wooden box covered in Japan paper, some tears, light spotting, binding with cracked joint and some wear

Condition is described in the main body of the catalogue, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

FINE IMAGES. The design of boys playing together is rich in symbolism and was particularly popular during the Jiajing period, adorning ewers, boxes, bowls and vases. It represents the wish for many sons and descendants, particularly distinguished noble sons (guizi) who will pass the civil examination service with high honours. Another meaning is suggested by Rosemary E. Scott (Percival David Foundation of Chinese Art, London, 1989, p.80) who notes that scenes of boys at play may be linked to the Daoist theme of the old regaining their youth. The Jiajing emperor was a devout Daoist, hence Daoist iconography was much favoured and readily employed by artists working for the court.