- 46
安德烈·柯特茲
估價
32,000 - 40,000 HKD
招標截止
描述
- André Kertész
- 巴黎（艾菲爾鐵塔的影子）
- 一九二九年作，一九七○年印製
款識
André Kertész，1929，《巴黎》（作品背面） - 銀鹽相片
Executed in 1929, printed in 1970.
來源
紐約，Lee Witkin's畫廊
現藏者購自上述來源
現藏者購自上述來源
出版
〈藝術與醫學〉（一九三一年十月）卷首插圖
〈安德烈·柯特茲眼中的巴黎〉Pierre Mac-Orlan編（Librairie Plon出版，巴黎，一九三四年）無頁數
〈我愛巴黎〉Nicolas Ducrot編（Chêne出版，Vanves Cedex，一九七四年）207頁
〈安德烈·柯特茲：六十年攝影〉Nicolas Ducrot編（企鵝圖書出版，倫敦，一九七八年）137頁
〈安德烈·柯特茲：一世的感官〉Jane Corkin編（H.N. Abrams出版，紐約，一九八二年）71頁
〈安德烈·柯特茲的巴黎與紐約〉Sandra S. Phillips編（芝加哥藝術學院/大都會博物館/Thames & Hudson出版，紐約，一九八五年）170頁
〈新視野：世界大戰中的攝影，大都會博物館福特汽車收藏〉Maria Morris Hambourg編（H.N. Abrams出版，紐約，一九八九年）圖版10
〈安德烈·柯特茲：光圈攝影大師〉Carole Kismaric（光圈基金會出版，紐約，一九九三年）45頁
〈焦點：J.Paul Getty博物館的安德烈·柯特茲攝影〉Weston Naef編（J. Paul Getty博物館出版，洛杉磯，一九九四年）60頁，圖版29
〈安德烈·柯特茲的人生與作品〉Pierre Borhan編（Bulfinch出版，麻薩諸塞，二○○○年）108頁
〈安德烈·柯特茲〉Sarah Greenough編（普林斯敦出版社出版，普林斯敦，二○○○五年）圖版64
〈安德烈·柯特茲眼中的巴黎〉Pierre Mac-Orlan編（Librairie Plon出版，巴黎，一九三四年）無頁數
〈我愛巴黎〉Nicolas Ducrot編（Chêne出版，Vanves Cedex，一九七四年）207頁
〈安德烈·柯特茲：六十年攝影〉Nicolas Ducrot編（企鵝圖書出版，倫敦，一九七八年）137頁
〈安德烈·柯特茲：一世的感官〉Jane Corkin編（H.N. Abrams出版，紐約，一九八二年）71頁
〈安德烈·柯特茲的巴黎與紐約〉Sandra S. Phillips編（芝加哥藝術學院/大都會博物館/Thames & Hudson出版，紐約，一九八五年）170頁
〈新視野：世界大戰中的攝影，大都會博物館福特汽車收藏〉Maria Morris Hambourg編（H.N. Abrams出版，紐約，一九八九年）圖版10
〈安德烈·柯特茲：光圈攝影大師〉Carole Kismaric（光圈基金會出版，紐約，一九九三年）45頁
〈焦點：J.Paul Getty博物館的安德烈·柯特茲攝影〉Weston Naef編（J. Paul Getty博物館出版，洛杉磯，一九九四年）60頁，圖版29
〈安德烈·柯特茲的人生與作品〉Pierre Borhan編（Bulfinch出版，麻薩諸塞，二○○○年）108頁
〈安德烈·柯特茲〉Sarah Greenough編（普林斯敦出版社出版，普林斯敦，二○○○五年）圖版64
Condition
This work is in overall in very good condition. The upper edge of the work is taped to the mounted. There are no apparent condition issues with the work. Some minor foxing and soiling are visible on the reverse of the backing board, unobtrusive to the work. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
經典現代攝影
以下11件拍品來自於同一私人收藏，藏家歷經四十載，蒐集現代攝影史上的經典之作。當中如科爾·韋斯頓、布雷特·韋斯頓、芭芭拉·摩根、保羅·卡波尼格羅及唐·沃斯等攝影家作品，乃藏家於1978-1980年間直接購自攝影家本人或其工作室。其餘作品大多於1970年代末至1980年代初購自畫廊及拍賣行。
此組攝影作品經藏家精心挑選，為亞洲觀眾呈現出攝影史上的關鍵浪潮以及二十世紀最重要的攝影師作品。F/64攝影小組力求毫不矯飾地表現現實，他們對清晰寫實的畫面情有獨鍾，布雷特·韋斯頓與愛德華·韋斯頓的經典作品便是當中佼佼者。與之形成鮮明對比的則是卡波尼格羅感性夢幻的風景作品，以及芭芭拉·摩根鏡頭下瑪莎·葛蘭姆舞團的優美身姿。摩根是攝影界最重要刊物之一《Aperture》雜誌的聯合創始人。
然而此系列作品絕不僅是攝影史上的佳作集錦：它們充滿感情、引人入勝且散發出獨特美感，能夠大大豐富觀者的想像力 ，不但悅目，更滋潤心靈。藏家希望藉此機會，向亞洲觀眾展示作品，同時提高區內藏家對這一媒材的興趣與認識
安德烈·柯特茲1894年生於匈牙利布達佩斯， 被譽為新聞攝影的代表人物之一。他以異於常規的鏡頭角度及構圖拍攝革新作品，最初雖遇重重障礙，最終廣受國際認可，作品更於無數雜誌刊登。柯特茲的攝影事業主要分為匈牙利、法國、美國及國際四個時期。