Abel Grimmer

Artur van Praet, Antwerp (according to an old label on the reverse).

The panel is bevelled on all four sides and is uncradled. It is stable and flat. There are some tiny knocks around all edges, and a small knock upper left. The paint surface is in overall good condition. All the delicate details in the foliage, buildings and moving figures of the background are well-preserved. There is some light surface wear to two figures on horseback. A small area of blurriness, possibly old restoration or accumulation of dirt, is in the lower right by the river, measuring approximately 3x2 cm. it does not show up in the ultraviolet light so perhaps it is a very old restoration. Inspection under ultraviolet light shows an uneven old varnish and some repairs to the knocks along the margins (mentioned above). There are tiny areas of dot retouchings applied to restrengthen leaves in the foliage, particularly on the far right between the two buildings. This lot is offered in a heavy old oak frame, with some minor knocks and faded gilding of the sight edge, but structurally sound.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

There are at least two other versions of this composition, both published by Bertier Sauvigny as by Grimmer. The first is signed and dated 1607, without figures in the background and with a carriage on the left instead of the group of three figures seen here. Overall the picture is paler in palette.¹ A second known version, a tondo, is signed and dated 1606. It shows two horses in the foreground, a carriage far left, and is part of a series of the twelve months.² The heavier modelling is closer to this picture.

1. Oil on panel, 27.5 x 42.4 cm. Last sold Amsterdam, Christie's, 9 May 2007, lot 134, reproduced.
2. Oil on panel, diameter: 20 cm., current location unknown. See R. de
Bertier Sauvigny, Jacob et Abel Grimmer: Catalogue Raisonné, Brussels
1991, pp. 77-78, cat. no. XLI, reproduced p. 220, fig. 106.