阿凡迪

This work is in good overall condition as viewed, as is the canvas, which is clear and taut. There are areas of accretion and dirt visible on the yellow pigment at background. Upon close inspection, there are fine networks of craquelure present at yellow background and at areas of thicker impasto, all stable and consistent with the age of the work. There is an area of paint shrinkage and some paint loss present at bottom edge, left side. There is some paint shrinkage at black pigments, stable and consistent with the age of the work. Examination under ultraviolet light reveals no visible signs of restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Through some subjective processes, all symptoms in life can be a source for aesthetic experiences. Affandi did not differentiate such symptoms of life with the aesthetic objects. His paintings depict natural landscapes, cockfights, water buffaloes, fishermen's boats, Balinese Barong dances, and horse carts. Symptoms of life, which one can all "reality", are linked to aesthetic objects in his paintings".

- Sardjana Sumichan, Affandi, Vol I, Bina Lestari Budaya Foundation, Jakarta, Singapore Art Museum, Singapore, 2007, p. 58