- 296
陳文希
估價
500,000 - 700,000 HKD
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招標截止
描述
- Chen Wen Hsi
- 猿猴嬉戲
- 款識:畫家簽名、鈐印二方並題款
- 設色紙本
- 120.5 x 68 公分;47 1/2 x 26 3/4 英寸
來源
直接購自藝術家
私人收藏,新加坡
私人收藏,新加坡
Condition
The work is in good condition overall, as is the paper, which is free from creases and foxing. The painting has been remounted and cleaned gently. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
“Chen Wen Hsi simplified the “dragon pulse” of past masters, adopted the succinct and consummate expressions of Bada, and integrated Western compositional principles such as harmony, contrast, symmetry, rhythm and balance to develop “the parabolic curve” and “the oval.” In doing so, he succeeded in extending the composition’s dramatic effect, creating a greater artistic realm, and imbibing a sense of movement and a perfectly harmonious feel to the otherwise limited pictorial space…In his large paintings of gibbons, the animals were portrayed in a variety of postures and with lively expressions: some with arms outstretched, head sticking out or leaping around, while others hung upside down, or assumed a squatting position…The tree trunks, branches and leaves that appeared in the scenes, rendered with brief strokes that wonderfully captured their forms, were juxtaposed in a non-chaotic fashion that brought a sense of quietude and stability to the otherwise dramatic and animated arrangement.”
Poon Lian, Goh Ngee Hui, Guiding Light On The Path Of Creativity – Remembering Dr. Chen Wen Hsi, Convergences: Chen Wen Hsi Centennial Exhibition Vol. 1, Singapore Art Museum, Singapore, 2006, p. 121