龐均

款識：
2014 龐均 均（右下）
龐均 PANG JIUN 2014 花間一漁舟（畫背）

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This work is in very good condition. There is no evidence of restoration under UV.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

春來也，花間一漁舟

龐均出生於藝術世家，父親龐薰琹乃民初重要現代藝術團體「決瀾社」的創立者，母親邱堤同為才華出眾的油畫先驅。從小受家庭環境薰陶，及後又成為徐悲鴻的關門弟子，龐均因此既得他所處時代的開放觀念，亦得古典寫實的堅實基礎。他也在大量的寫生經歷中觀察自然，形成獨樹一幟的美學語彙，在結合水墨之道與油彩之法上作了有意義的探索。

桂林山水一向以山青、水秀、洞奇、石美而享有「山水甲天下」的美譽，是讓龐均流連忘返的作畫之地，《花間一漁舟》即展現了其記憶中桂林的旖旎風光。前景盛放的桃花好似劇場的帷幕，幕布向兩邊撩開引領觀者進入「暮煙冪冪鎖村塢，一葉扁舟橫野渡」的意境當中。色彩上龐均特別擅長處理灰色調的細微層次，而背景的迷離銀灰恰恰給煙波浩渺的漓江山水披上了朦朧的詩意。奼紫嫣紅的桃花與雋秀清雅的景緻在畫面中的碰撞賦予了作品生動的氣韻，讓人如夢如幻，如痴如醉。藝術家以盛綻的姿態不僅謳歌了大好春光，更有萬物復甦、陽氣上升、天修人睦之祥和的意境。龐均認為加強「寫意性」是中國油畫創新的途徑，《花間一漁舟》正呈現了這種藝術思想，在保留油畫語言特性的同時，注入傳統文人畫的精氣神，流露出一片「城邊流水桃花過，簾外春風杜若香」的詩情畫意。