十七世紀 木漆金菩薩坐像

seated in dhyanasana with hands in dhyanamudra, dressed in shawl, scarves and dhoti, with an elaborate jeweled necklace adorning the bare chest, the face with serene expression, and the hair pulled up behind a tiara into a tall chignon, supported on a double-lotus throne, cardboard and silk stand (2)

There are breaks and losses to both arms, the fluttering scarf, the chignon, trailing tresses, headdress, one earring and the lower right corner of the base. The hands have been reattached at the wrists. There is a crack around the neck and through the remaining earring. There are signs of old touchups. The ornament on the tiara has been reattached, but may be associated. The right earlobe has been reattached. The cover to an opening in the base is lost. Signs of surface wear.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Carved and gilded to simulate gilt-bronze, this figure was inspired by a group of Buddhist figures made in the 15th century by the art of Tibet, which had been introduced into China during the Yuan dynasty.

The profile of the face with the straight nose and linear downcast eyes, the chignon, the way the hair lays over the shoulder, and the draping of the dhoti, are stylistically similar to early Ming bronzes. For comparison, see a larger early Ming dynasty carved wood example sold in these rooms, 18th and 19th March 2014, lot 259. In addition, the bracelets and armlets are portrayed as beaded bands supporting a jeweled element, which is consistent with the way such adornments were portrayed in early Qing gilt-lacquered wood figures. For an example see the Kangxi period figure of Avalokiteshvara sold in these rooms 14th September 2011, lot 324.