十四 / 十五世紀 尼泊爾卡薩馬拉或西藏鎏金銅綠度母坐像

seated in lalitasana with the right hand extended in varadamudra and left raised to the chest in vitarkamudra, adorned with ornamental jewellery inlaid with turquoise with a diaphanous robe tied at the waist and gathered in folds draping over the pedestal, crowned with a five-leaf tiara

紐約蘇富比2009年3月18日，編號23

As visible in the catalogue photo, there is minor bruising,dents, surface wear and loss to gilding, as expected for a figure of this age. Their front left base is dented, reverse base has a small loss. The mandorla and base plate are missing, but there are original consecrated sutras still preserved in the interior.
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This sculpture has an elegance and delicacy as befits the sensuous and youthful female form of the goddess. Her hands are held in gentle and expressive gestures of charity and reassurance; attributes which are reinforced through the remnants of pigment, most notably in her eyes.

Although the craftsmanship of the sculpture is Nepalese in origin, the style is not immediately recognisable as the work of the Kathmandu Valley itself. The tall stepped throne with engraved designs is not a common type for pure Newar sculpture. Furthermore the figure is not associated with the bronzes of Tibetan taste that were commissioned from Newar artists for sites such as Densatil. The sculpture may possibly be Khasa Malla, where certain classical Nepalese traditions are followed but with individual elements drawn from other sources. In common with many Khasa Malla gilt bronzes, the ungilded section at the back of the throne is painted red. For a full discussion of Khasa Malla sculpture see Ian Alsop, The Metal Sculpture of the Khasa Malla Kingdom, in Orientations, Hong Kong, June 1994.