清乾隆 御製掐絲琺瑯蒼松蘭石圖題詩扇式掛屏 《恭錄御製詩句》《臣于敏中》款 「臣」「敏中」印

詩文：
淨馥逓因臨砌卉，佳陰羃喜撫庭松。

The panel has been preserved in excellent condition with the enamels retaining their brilliance, with just occasional enamel flakes (including a small area to the left pine branch and a few others to the bottom right corner), some of which refilled. There are also expected refilled pitting and crackles to the enamel. The original Palace Workshops gilt-bronze handle has been preserved with the screen, but the frame itself has been replaced with a wood one at some stage.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

屏心藍地上掐萬字錦，上飾古松參天，君子蘭依石而生，搖曳生姿。用掐絲鍍金勾勒松柏枝葉、秀石蘭花，技法新穎，畫面艷麗高雅。挺拔的蒼松，松針如傘，襯托出蘭花的柔弱，對比強烈，但畫面和諧，意趣橫生。此屏表現了乾隆帝在掐絲琺瑯工藝上創新，對繪畫意趣的追求，及其能工巧匠高超技藝。

掐絲琺瑯到了乾隆時期無論工藝、技術都達頂峰，不斷創新，使當朝掐絲琺瑯器無不以工藝取勝。如此屏般大型器物的燒造，難度大，技術要求高，惟乾隆朝工匠能之。結合詩文與花卉圖案的掐絲琺瑯作，要畫院和琺瑯作坊的合作方能成器。一明朝掐絲琺瑯扇形蓋盒售紐約蘇富比2015年3月21日，編號651。扇形掛屏不為多見，其題詩格式應仿扇面繪畫及冊頁而成。

屏左上角陰刻填黑釉乾隆御題詩句：「淨馥逓因臨砌卉，佳陰羃喜撫庭松。恭錄御製詩句。臣于敏中」，後鈐「臣」、「敏中」朱印

于敏中（1714-1779），江蘇金壇人，一甲一名進士（即狀元），授翰林院修撰，官曆文華殿大學士兼軍機大臣，在乾隆朝為漢臣首揆執政最久者，廷諭多出於其手。乾隆帝常即興作文賦詩，吟誦之後，于敏中便默記於心，再謄抄出來，而且一字不差。乾隆下詔開四庫全書館，命于敏中為《四庫全書》正總裁，領導編纂工作。于敏中更是平定金川之亂功臣，乾隆帝下詔嘉獎，賜穿黃馬褂，賞戴雙眼花翎，並圖其像於紫光閣。一手卷，由乾隆授命繪製五十功臣中包括于敏中在內的其中十七位功臣，售於紐約蘇富比1992年6月1日，編號77。