- 2852
秋麥
估價
50,000 - 80,000 HKD
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招標截止
描述
- Qiu Mai (Michael Cherney)
- 山海圖系列第四號
- 照片印於和紙
鏡框
二〇一二年作
版數
2/9
款識
33o17'17"N, 100 o 51'43"E, 95 o
鈐印
「秋」, 「山海圖」。
此作品附藝術家簽署之原作保證書
版數
2/9
款識
33o17'17"N, 100 o 51'43"E, 95 o
鈐印
「秋」, 「山海圖」。
此作品附藝術家簽署之原作保證書
展覽
《石與霧中：秋麥的中國山水攝影》，Nelson-Atkins美術館，堪薩斯城，2014-2015年（另一版本）
Condition
Overall in good condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
秋麥的黑白圖像分明奪目，呈現朦朧之感，探索自然奇觀，與古代書畫意韻如出一轍。他遊遍中國各地，追溯古人踪跡，讚嘆名山大川，與中國歷史文化承傳一脈相連。每幅相片均經由仔細探究，精心構圖，走過漫長旅途，方得滿意之作。他利用35毫米膠卷，把影像加以放大，並依照傳統國畫之形式印於宣紙，裱於立軸或畫冊。
《山海圖》系列中放大的風景圖像佈滿微粒，其特意仿傚米芾（1051-1107年）與其子米友仁（1074 - 1151年）的水墨點染法。米芾為宋代畫家、詩人及書法名家，性格奇特，不拘常規，以其迷霧幻景著稱。其作更可體現後世的印象派風景畫特色，非以逼真為要，反為描繪模糊焦點、耐人尋味的景象。如此南派山水畫的意韻情感，在秋麥的放大攝影作品更是顯然易見。膠卷帶來的微粒及點陣效果，彷如畫壇先捷的煙雨墨跡，匠心獨運。
此外，秋麥的作品更因其精闢意象尤見動人。其大部分作品皆以中國藝術史為據，其中《山海圖》系列則以現今長江流域的圖像，呈現漢代的神話地理。《山海經》是中國現存最古老的書籍之一，可追溯至戰國時期（公元前4世紀），因其內容特色隱晦離奇、假想虛設，《山海經》一般不被視為正統的參考經典，只是一部結集神話志怪的書籍。然而，一些學者則會以此作為遠古地理研究的範例。此類古籍及秋麥的長江圖片相似，以美感為要，非重精確，他嘗試平衡兩者，互相補充。《山海經》與《山海圖系列第4號》重新審視現實的形態，前者挑戰小說與紀實之間的區分，後者則透過膠卷拍攝所呈現的視覺影像，提出對現實景象的疑問。在此系列中，每幅作品以其身處的經緯座標加以注釋，是唯一可作真確地理參考之處。