弘仁 1610-1664

款識：余登蓮華絕頂，延矚移峕，見東南洩雲膚□，□頃油油焉排空卥向，勢若謝玄戰淝水，銳氣驍騰有不能已者。乃急趨下，及降白雲梯回望群峯，皆瀰漫無狀矣。于是縱步獅子林，得艸瓢而息。戶外颷狂霿肆，一龕歷歷如坐天風海濤中，不復知在千巖萬壑間也。維時群奇俱秘，寢食無端，探囊中得周生居士委卷，泚墨驅毫，片晷而竟。汪子叔向適以詩成，爰屬書之，藉是以槩予兩人游中一段佳事也。漸江學人弘仁識。鈐印：「弘仁」

題跋：庚申（1920）春王月，景含馬家桐觀于耿軒。鈐印：「家桐」、「景韓」

鑒藏印：「孝玉所得」、「孝禹藏書畫印」、「銅梁王瓘私印」

香港佳士得，中國古代書畫，2004年10月31日，編號407

《盛世氣象－海峽兩岸重要藏家文物收藏展》，北京首都博物館，2009年11月10-29日

《盛世氣象－海峽兩岸重要藏家文物收藏展》，北京：北京燕山出版社，2009年11月，第174-177頁，圖版58，及第290頁, 編號58

- minor paper losses at the beginning of the scroll, old restoration - the beginning of the scroll is slightly tanned due to age - minor dirt at the end of the scroll, near the pine tree
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註: 此《蓮花峰》卷作乃弘仁與汪家珍同遊黃山，登至蓮花絕頂，見雲勢驍騰，復蹤步獅子林，憩於艸瓢，忽然山間雲氣蒸騰而上，如歷天風海濤。弘仁有感於所見，遂為李永昌作此件黃山蓮花峰手卷。汪家珍，字璧人，安徽歙縣人，明末諸生，是新安畫派中與汪之瑞等齊名的畫家。考弘仁與汪家珍生平交往，只有順治十三年丙申（1656）八月，弘仁訪汪家珍所住，隨後二人攜游黃山。審此作畫風，亦當屬弘仁中年之作。題跋中所言之「周生居士」即李永昌，號黃海，安徽休寧人，汪之瑞師，曾與弘仁、汪度等於崇禎十二年己卯（1939）合作《江陵圖》卷（現藏上海博物館）。弘仁其時尚署「江韜」款，可見弘仁與其相識之早。據弘仁畫中題跋，卷尾應當還有汪家珍此次黃山之行所成詩作，囑弘仁書之，但惜今已佚。弘仁山水遠承倪瓚，但是捨去其孤寂逸氣；近受皖南諸家影響，卻更得造化妙理。是以終能自成風貌，成為「新安畫派」的領軍人物。