- 33
劉煒
估價
3,500,000 - 4,500,000 RMB
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招標截止
描述
- Liu Wei
- 風景
- 款識
Liu Wei，劉煒，《風景，Landscape》，2006 - 油彩畫布 畫框
二〇〇六年作
來源
北京，中國嘉德，2011年11月16日，拍品編號2356
中國私人收藏
中國私人收藏
Condition
This work is generally in good condition. There is no sign of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
劉煒不同時期的作品，反映著藝術家不同的心境，風景山水自一九九九年開始山水風景多次成為他的創作題材，但當中前後風格卻見不同，這全因他的創作一直與其生活分不開，他曾經表示︰「畫畫就是順著我的生活，不拘於定式，不被外界的羈絆所束縛，就是以我手畫我心。」故此，二〇〇六年後，藝術家日趨歸隱，心境開闊，其畫風亦更見成熟，其追求的東方意境日益開朗，括然淡雅。
「劉煒的風景畫在很大程度上體現了東西方文化的雙向品質，他的作品同時具備西方技法和東方元素中的人文心境，又因為兩種文化的差異而消解掉對雙方方的直接傳承關係，並展現出一種從未出現過的新藝術萌芽。」1 劉煒的〈風景〉系列是體現劉煒這種跨越東、西方藝術的精神的最佳示範。一九九九年，劉煒嘗試以純風景作為題材，風格上仍然有著〈肉系列〉畫面靡爛及粉俗、幽默及潑皮的個性，但山水題材後快在千禧年後，取得令人驚訝進步。《風景》是藝術家創作於二〇〇六年有著非常明顯中國傳統文人趣味之作，是藝術家首次真正探討中國傳統山水，渴望回歸沉靜之作。
1 子諒 《劉煒Liu Wei》紅橋畫廊，161 頁