阿凡迪

藝術家之友及贊助人饋贈
私人收藏，美國

The work is in good condition overall, as is the canvas, which is clear and taut. There is light wear and handling around the edges of the work, but the paint layers and impastos are healthy. Examination under ultraviolet light shows no sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

-“Affandi did not come to Bali for the exotic “difference” the island is all too often expected to provide. He was looking for “situations”, some Balinese, some not, but always ones which he could endow with personal signification. Working outdoors, he looked for scenes he could endow with personal symbolic meanings– to connote human suffering or express the whirling of natural forces…”

– Jean Coteau cited in Sardjana Sumichan, ed., Affandi, Volume II, Bina Lestari Budaya Foundation, Singapore Art Museum, Jakarta, Singapore, 2007, p.39