李綾瑄

私人收藏，亞洲

新加坡，聖德拉姆泰戈爾畫廊，「Encounter, Experience and Environment」，2012年

The work is in overall good condition. All the pieces are intact and the paint layers fresh. The Right 4 piece has paint loss on the bottom of the metal, but this is not visible when the artwork is installed together. Under ultraviolet light inspection there are no signs of restoration. Unframed, on a stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“Employing acrylic paint and sealant, the surfaces of these paintings are characterized by a rich tactility that verges on the sculptural. The highly tactile, organic and delicate forms belies the fact that these surfaces have been created using paint, giving the impression instead that they have been meticuously sculpted out of clay or plaster. In addition to explore the object hood of painting, questioning painting as a two-dimensional mode of expression, the tactility in her paintings also further complicates the relationship between the surface and support of the painting. Lee transforms the materiality of paint into an integral part of the painting’s structure making the surface and the support one and the same.”

Eugene Tan, Art in Asia Magazine, No. 10, March-April 2009