- 384
黃金鑲鑽石配琺瑯彩晚裝袋, Aloisia Rucellai
估價
4,000 - 6,000 CHF
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招標截止
描述
- Aloisia Rucellai
- enamel, diamonds, gold
· 黃金織網袋
· 周邊飾藍色琺瑯彩、鑲鑽石
· 無款識
· 約220x180毫米
*拍品資料以英文為主，中文翻譯僅供參考
· 周邊飾藍色琺瑯彩、鑲鑽石
· 無款識
· 約220x180毫米
*拍品資料以英文為主，中文翻譯僅供參考
出版
Cf: Haydn Williams, essay by Daniela Mascetti, 'Enamels of the World 1700-2000: The Khalili Collections', London, 2009, pgs. 408, 424-425 for a biography of Aloisia Ruccelli and an illustration of a similar evening bag.
Condition
Stamped 750 for 18 carat gold. Enamel in good condition with a few small areas of loss. Gold mesh in good condition. Fabric lining in good condition but coming apart from opening edge and could benefit from repair. Diamonds bright and lively. Signs of wear consistent with age and use. Gross weight approximately 496 grams.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Aloisia Aloisi was born in Venice in 1928. Her mother, Marcella Aloisi Nobili della Scala, led an active social life surrounding herself and Aloisia by artists drawn to the city by the Venice Film Festival. In the 1950s, Aloisia married Count Niccolò Rucellai and settled in Florence where she began redesigned jewellery from her own family jewels. Her mentors included Fulco di Verdura and Cesare Settepassi. In the 1960s, Aloisia launched her own collection of fanciful jewellery. She created bespoke imaginative pieces for well-known people of the time such as the Begum of Hyderabad, Baroness Thyssen-Bornemisza, Charlotte Ford and Anna Bolchini Bonomi. Her son, Simone, began working with her in the late 1970s. Since her death in 1984, Simone is the owner of her archives and continues to work in her legacy.