珍罕獨特古埃及風格鉑金鑲鑽石及彩色寶石手鏈, Lacloche Frères

· 古埃及符號及圖案，包括獅身人像
· 鑲方形藍寶石、圓形鑽石、方形祖母綠及紅寶石
· 長度7¼ 英寸
· 附 La Cloche Freres, Paris 品牌刻名及編號65059
· 約1925年
*拍品資料以英文為主，中文翻譯僅供參考

In very good condition, particularly in light of its age, with gentle surface wear to the mounting. The buff-topped colored stones present a high polish and only minor abrading, predominantly to the emeralds. The medium-deep slightly purplish red rubies, medium to medium-deep blue sapphires and medium green emeralds are well-matched for color; the rubies and sapphires are eye-clean to lightly included, the emeralds are lightly to moderately included. The diamonds are F-H color, VVS-SI clarity. Total diamond weight is approximately 19.00 carats. Some of the motifs are devoid of gemstones, making effective use of negative space. Remarkably well-constructed with a fabric-like feel. Signed and numbered on the female end of the clasp. Opens by squeezing the thumbpieces on either side of the clasp; the fold-over element acts as a safety.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Ancient Egyptian culture has long been a fascination of Western society to greater and lesser degrees since ancient Greek and Roman times. In 1922, the discovery of King Tutankhamen’s tomb caused another outbreak of Egyptomania that persisted for a decade, influencing all areas of artistic endeavor including painting, sculpture, fashion, filmmaking and literature.

The motifs and patterns associated with Egyptian art such as sphinxes, serpents, ba soul birds, and winged orbs, comprised the jewelers’ repertoire of design elements in the creation of colorful flat panel bracelets. These wider bracelets epitomized the geometric style of the new age, thereby surpassing the former restraints of thinner bracelets set with single-row stones. The latest fashions in womens’ couture had become tunic-shaped sleeveless dresses, which also enabled the jewels to be showcased to greatest advantage.

Although the ba birds represented here are motifs easily identified as Egyptian in origin, what they actually signify is not so readily understood. To the ancients who were firm believers in the afterlife, the soul was represented by these bird-like figures. After death, the birdlike ba was set free to ascend to the sun or to descend to the underworld to be judged by Osiris. Here, the ba bird is sent against a crimson background of polished rubies, suggesting ascension to the sun. At the center of the composition is the sphinx, which alongside the winged scarab, or winged orb, is the undoubtedly the most iconic of all Egyptian motifs. Both merciless and benevolent, the sphinx possessed the ferocious strength of a lioness. 

The French firm La Cloche Frères rivalled the work of other jewelry maisons such as Cartier and Van Cleef & Arpels during this period. An outstanding example of their achievements in jewelry design is demonstrated in the bracelet offered here. The combination of beautifully polished, perfectly-matched, calibré-cut colored stones thematically arranged against the contrasting background of white diamonds is a highly successful attempt at integrating pictorial versus abstract elements.