- 35
巴布羅·畢加索
描述
- 巴布羅·畢加索
- 《朵拉·瑪爾肖像(戴帽子的朵拉·瑪爾)》
- 款識:畫家紀年13 Novembre XXXVI(右下)
- 墨水畫筆、水彩、鉛筆紙本
來源
The Estate of Dora Maar (by descent from the above. Sold: Piasa, Paris, Les Picasso de Dora Maar - Succession de Madame Markovitch, 28th October 1998, lot 15)
Purchased at the above sale by the late owner
展覽
Venice, Peggy Guggenheim Collection, Solomon R. Guggenheim Foundation, The Timeless Eye. Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection,1999, no. 151, illustrated in colour in the catalogue
Madrid, Museo Thyssen-Bornemisza, Miradas sin Tiempo. Dibujos, Pinturas y Esculturas de la Coleccion Jan y Marie-Anne Krugier-Poniatowski, 2000, no. 1181, illustrated in colour in the catalogue
Bern, Kunstmuseum, Picasso und die Schweiz, 2001-02, no. 118, illustrated in colour in the catalogue
Paris, Musée Jacquemart-André, La Passion du Dessin. Collection Jan et Marie-Anne Krugier-Poniatowski, 2002, no. 162, illustrated in colour in the catalogue
Vienna, Albertina, Goya bis Picasso. Meisterwerke der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2005, no. 157, illustrated in colour in the catalogue
Munich, Hypo-Kulturstiftung, Das Ewige Auge - Von Rembrandt bis Picasso. Meisterwerke aus der Sammlung Jan Krugier und Marie-Anne Krugier-Poniatowski, 2007, no. 190, illustrated in colour in the catalogue
出版
The Picasso Project (ed.), Picasso's Paintings, Watercolors, Drawings and Sculpture. Surrealism, 1930-1936, San Francisco, 1997, no. 36-086, illustrated p. 296
Josep Palau i Fabre, Picasso. From the Minotaur to Guernica (1927-1939), Barcelona, 2011, no. 800, illustrated in colour p. 270 (titled Dora Maar with Cap)
拍品資料及來源
Remarking on the numerous portraits Picasso created of Dora Maar during their early courtship - with reference to the present work - Josep Palau i Fabre commented: 'During the month of November 1936, which is when the portaits are most abundant, we again see her, face on, well groomed, with her eyes a little scared, seemingly looking inward on herself, her eyes betraying a hint of fright on account of what was happening to her' (J. Palau i Fabre, op. cit., p. 270).