- 231
丙申年（1896年） 紫砂刻金文鼻煙壺 《木工爵》 《丙申初夏心舟刻》 款
估價
40,000 - 60,000 USD
Log in to view results
招標截止
描述
- ceramic
銘文：
木父子工癸
印章：
心舟
木父子工癸
印章：
心舟
來源
Galia Baylin
Arthur Gadsby，1978年
J & J Collection，2005年
紐約佳士得2005年3月30日，編號 83
瑪麗及莊智博收藏，2011年
香港邦瀚斯2011年5月25日，編號115
Arthur Gadsby，1978年
J & J Collection，2005年
紐約佳士得2005年3月30日，編號 83
瑪麗及莊智博收藏，2011年
香港邦瀚斯2011年5月25日，編號115
展覽
紐約佳士得，1993年
皇后坊博物館，新加坡，1994年
Museum fur Kunsthandwerk，法蘭克福，1996年至1997年
大衛德基金會，倫敦，1997年
Naples Museum of Art，佛羅里達州，2002年
Portland Museum of Art，俄勒岡州，2002年
歷史博物館，台北，2002年
International Asia Art Fair，Seventh Regiment Armory, 紐約，2003年
保利藝術館，北京，2003年
皇后坊博物館，新加坡，1994年
Museum fur Kunsthandwerk，法蘭克福，1996年至1997年
大衛德基金會，倫敦，1997年
Naples Museum of Art，佛羅里達州，2002年
Portland Museum of Art，俄勒岡州，2002年
歷史博物館，台北，2002年
International Asia Art Fair，Seventh Regiment Armory, 紐約，2003年
保利藝術館，北京，2003年
出版
Bob C. Stevens，《The Collector’s Book of Snuff Bottles》，紐約，1980年，頁103，編號342
保利藝術館，《中國鼻煙壺兿術》，北京，2003年，編號 259
《Asian Art》，2003年10月，頁 16，圖 3
Hugh Moss，Victor Graham及曾嘉寶，《A Treasury of Chinese Snuff Bottles》, vol. 6, part 3，，香港，2009年，頁967，編號 1461
保利藝術館，《中國鼻煙壺兿術》，北京，2003年，編號 259
《Asian Art》，2003年10月，頁 16，圖 3
Hugh Moss，Victor Graham及曾嘉寶，《A Treasury of Chinese Snuff Bottles》, vol. 6, part 3，
Condition
Some minor roughness around the mouth, with light surface wear and patination. Overall the bottle is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
The cyclical date on the present lot can correspond to either 1836 or 1896. According to Chinese sources, the artist He Xinzhou was active during the Tongzhi and Guangxu periods, which supports the later date. In addition, as mentioned in Hugh Moss, Victor Graham, Ka Bo Tsang, A Treasury of Chinese Snuff Bottles, vol. 6, part 3, Arts of the Fire, Hong Kong 2009, p. 967, no. 1461, in their discussion of this bottle, the transfer of ancient bronze inscriptions onto other works of art was fashionable throughout the 19th century, and many known examples on snuff bottles, Yixing teapots, bamboo wares and other art forms date from the mid-to late 19th century.
The archaic inscription on the bottle is a copy from an archaic vessel called a jue, called the Mugong jue, most likely from the late Shang dynasty. The inscription being the central decorative feature of the bottle, points to the appreciation and level of connoisseurship for archaism during the Qing dynasty.
The archaic inscription on the bottle is a copy from an archaic vessel called a jue, called the Mugong jue, most likely from the late Shang dynasty. The inscription being the central decorative feature of the bottle, points to the appreciation and level of connoisseurship for archaism during the Qing dynasty.