唐 三彩陶錢櫃

the rectangular box raised on bracket feet with cream-glazed studs simulating the metal prototype, the sides reinforced with amber panels with crescent tops secured with further studs, and applied with blue-glazed lion-masks or palmettes, the top with a small hinge-lidded cover applied with a loop for the attachment of a lock, surrounded by four crisply rendered lion-mask appliqués

洛杉磯佳士得，199812月4日，拍品編號71
紐約佳士得，2000年9月21日，拍品編號267

The money chest was inspected under UV light, which revealed fluorescence on approximately 1 inch of the front left leg, and to the upper left corner of the 'door' and associated areas nearby. One of the tips of the front flanges has been chipped, and a smaller chip on the back. A small chip on one of the applied lion masks on top, two small chips on the applied decoration on the front side. A shallow chip on one of the hind legs. Some minor glaze degradation on the top surface, though the glaze is generally very vibrant. The 'door' is secured shut and unable to open. The amber glaze is slightly less red than the catalogue image suggests.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Models of money chests, which would have been secured with a padlock, have been found in several Tang tombs, but are otherwise extremely rare.

The various extant chests differ in their applied ornaments and in glaze colors, and come in two different sizes. Whereas the use of cobalt-blue is generally found only on the smaller size, the present piece belongs to the larger type and is particularly richly adorned.

Two other pieces of this large size are glazed in sancai colors only, without any cobalt-blue: one of them excavated at Jinjiagou, Luoyang, Henan province and now in the Henan Provincial Museum is illustrated in Henan Sheng Bowuguan, Beijing, 1985, col. pl. 156; the other is preserved in the Rietberg Museum, Zurich, and illustrated in Yuba Tadanori, Chûgoku no tôji, vol. 3, Tokyo, 1995, col. pl. 55.

Compare four chests of smaller size but with prominent areas of cobalt-blue, two of them excavated at Wangjiafen village in the eastern suburbs of Xi'an in Shaanxi province: one of these was included in the exhibition Gilded Dragons, The British Museum, London, 1999, cat. no. 48; the other, or an exact same model to the preceding, now in the Chinese Museum of History Beijing is illustrated in Tang Ceramics Made in Henan: The Tri-Color and Blue and White, Beijing, 2005, no. 645, p. 439; the remaining two pieces are in the Museum of Fine Arts, Boston, and the St. Louis Art Museum, illustrated in Oriental Ceramics: The World's Great Collections, vol. 10, Tokyo, 1980, fig. 72; and in Mizuno Seiichi, Tôji taikei, vol. 35, Tokyo, 1977, p. 112, fig. 39.

The dating of this piece is consistent with the result of a thermoluminescence test, Oxford Authentication Ltd., no. C198w79.