清乾隆 松綠釉粉彩「折枝花卉」紋燈籠瓶 《大清乾隆年製》款

the ovoid body supported on a short foot gently rising to a waisted neck, flaring to a gilt-decorated mouth, the exterior sparsely decorated with leafy sprays of flowers and fruits, including prunus, orchid, peony, lotus, pomegranate, chrysanthemum, rose, hydrangea, aster, camellia, and morning glory, all reserved on a turquoise ground suffused with a dense network of scrolls, the interior of the mouth and the base glazed turquoise, the base inscribed in red with a six-character reign mark

香港蘇富比1979年11月28日，編號259
香港蘇富比2011年4月8日，編號3088

The vase has a slight lean. The mouth has a hairline crack of about 2.2 cm, and a 2 by 3.2 cm restoration to the fritting. There are some kiln grits and glaze gaps to the foot. The enamels and gilt decoration are well preserved with only minor surface scratches.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

With its bold decoration of floral sprays scattered around a bright ground painted in imitation of turquoise, the present vase displays the broad variety of styles and innovations in ceramic design that marked the Qianlong period. In simulating the traditionally esteemed semi-precious stone and choosing an idiosyncratic design, the craftsmen purposefully created a work of art that would cater to the aesthetic taste of the Qianlong Emperor.

Compare further Qianlong mark and period vases similarly enamelled with a simulated turquoise-matrix ground, such as a slightly larger vase of similar form, but with a longer neck, depicting birds on flowering branches, sold in our London rooms, 6^th November 2013, lot 186; another of ovoid form, from the John Morrison collection, published in Soame Jenyns, Later Chinese Porcelain, London, 1951, pl. CVIII, fig. 2; and a pear-shaped example from the Hebblethwaite collection, sold twice in our London rooms, 2^nd/3^rd December 1974, lot 539, and 14^th July 1981, lot 121. An ovoid vase decorated with two landscape panels against a turquoise ground scattered with flower sprays, was sold in these rooms, 29^th November 1978, lot 323; and another of slightly waisted baluster form, painted with two landscape panels below two similar vignettes, was also sold in these rooms, 29^th November 1976, lot 616.