劉國松

款識：
劉國松。 一九七七。

鈐印：
「劉國松」

於一九九〇年直接購自藝術家
水松石山房藏

〈劉國松畫展〉蘇立文、李鑄晉编 （臺灣，臺北市立美術館，一九九〇年），112頁

〈劉國松研究展：劉國松研究〉蕭瓊瑞（臺灣，國立歷史博物館,一九九六年），127頁
〈劉國松〉佘光中（中國，河北教育出版社，二〇〇二年），39頁

This work is in good condition overall. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

劉國松為知名水墨畫家，認為中國水墨是一種「封建傳統」。其創作著墨不受束縛、用色奔放奪目、構圖大膽創新，畫作充滿活力，令人難以忘懷。《中懸一明鏡》反映藝術家精煉之創作階段，其在畫作上加入大理石般的水墨紋理，讓觀者猶如置身夢境之中。畫中石壁顯眼突出，以青蔥綠地共冶映襯。灰雲密佈，遠山之下可見澄明湖面。劉國松既為畫家，又是教師，一生活躍並致力於改良、學習與活用嶄新的概念及創作技巧，親身示範不斷革新的精神。