- 1480
溥儒 (1896-1963)
估價
350,000 - 500,000 HKD
Log in to view results
招標截止
描述
- Pu Ru
- 孔雀庵圖
- ink and colour on silk, framed
設色絹本 鏡框
孔德成題引首
孔德成、台靜農、鄭騫題跋
引首：孔雀庵圖。歇腳庵藏。孔德成題。
款識：
孔雀庵圖。心畬。
題跋：
〈孔〉
題溥心畬〈孔雀庵圖〉。
西郭策蹇去，暘臺入翠微；雲深藏古寺，樹老帶斜暉。習畫為逃世，讀書常閉扉；幽居隣木石，相對已忘機。
心畬以書畫名，心畬顧精書畫，然若以書畫譽心畬，則豈知心畬者哉！心畬舊王孫也，勝國傷痛，遯世無悶，游戲筆墨，聊以寄情。若以書畫譽心畬，則豈知心畬者哉！靜農以所藏心畬畫幅屬題，既寫小詩，并書數語以告世之論心畲者。辛酉臘月十五日。曲阜弟孔德成并識，時同客臺北。
〈台〉
心畬先生喜作小幅，用筆以簡逸勝。斯圖盤礡鬱積，極為少見，幅不盈尺而有千巖萬壑之勢，世有納須彌於芥子如心畬者耶？乙丑中秋節前一日。台靜農記。
〈鄭〉
無愧稱三絕，端能集眾長；霜餘紅葉瘦，秋晚碧山蒼。郡邑分南北，聲名說溥張；髯翁仍矍鑠，此老閟幽光。此章題畫。
京國初相聚，匆匆五十春；春秋同宴賞，燕蜀各風塵。經亂朱顏改，論交白髮新；我南君巷北，垂老復為鄰。次章論交。
古語云：白頭如新，傾蓋如故。杜少陵贈畢矅詩：「我居巷南子巷北」。靜農居溫州街北段，予居南段，方位正同畢杜。時在己未殘臘。弟鄭騫拜題。
鈐印：「心畬」。
孔德成題引首
孔德成、台靜農、鄭騫題跋
引首：孔雀庵圖。歇腳庵藏。孔德成題。
款識：
孔雀庵圖。心畬。
題跋：
〈孔〉
題溥心畬〈孔雀庵圖〉。
西郭策蹇去，暘臺入翠微；雲深藏古寺，樹老帶斜暉。習畫為逃世，讀書常閉扉；幽居隣木石，相對已忘機。
心畬以書畫名，心畬顧精書畫，然若以書畫譽心畬，則豈知心畬者哉！心畬舊王孫也，勝國傷痛，遯世無悶，游戲筆墨，聊以寄情。若以書畫譽心畬，則豈知心畬者哉！靜農以所藏心畬畫幅屬題，既寫小詩，并書數語以告世之論心畲者。辛酉臘月十五日。曲阜弟孔德成并識，時同客臺北。
〈台〉
心畬先生喜作小幅，用筆以簡逸勝。斯圖盤礡鬱積，極為少見，幅不盈尺而有千巖萬壑之勢，世有納須彌於芥子如心畬者耶？乙丑中秋節前一日。台靜農記。
〈鄭〉
無愧稱三絕，端能集眾長；霜餘紅葉瘦，秋晚碧山蒼。郡邑分南北，聲名說溥張；髯翁仍矍鑠，此老閟幽光。此章題畫。
京國初相聚，匆匆五十春；春秋同宴賞，燕蜀各風塵。經亂朱顏改，論交白髮新；我南君巷北，垂老復為鄰。次章論交。
古語云：白頭如新，傾蓋如故。杜少陵贈畢矅詩：「我居巷南子巷北」。靜農居溫州街北段，予居南段，方位正同畢杜。時在己未殘臘。弟鄭騫拜題。
鈐印：「心畬」。
Condition
-Minor fabric tear can be found at the bottom and fabric loss at the bottom corners of the painting, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：孔雀庵者，又名雀兒庵，座落北京西山潭柘寺後山處，始建於金代，以金章宗「幸此彈雀，彈不虛發，行幄為庵」。後有僧至，造佛母孔雀明王像，故取今名。於明代最為鼎盛，殿堂規整，院落分明。及清末，陷衰敗破落，今僅殘垣斷瓦，面貌全非矣！
心畬先生筆下所寫，毋乃當年目睹身遇之記憶。蓋隱居西山十餘載，借居之戒臺寺，與潭柘寺近鄰，孔雀庵乃八百年前遺跡，自屬訪古探幽足迹所及處。
先生渡海赴台後，故都歲月，馬鞍舊憶，不時摭拾而重現於圖卷中。本幅僅盈尺小卷，乃袖中賞玩自娛之物。方寸天地間，卻見千峰聳峙，重巒積叠，蕭寺門牆，掩映於密樹濃蔭中；遠客三兩，策蹇漫行，豈非舊王孫幼年遊玩之寫照？
其構圖緊湊，佈局嚴整，取滿畫手法，僅餘一隅留白空間，惟景物佈置，錯落有致，起伏跌宕，環環相扣，節奏自生。通篇滿而不滯，密而不板，氣息連貫，了無粘礙；設色蒼鬱渾厚，蘊藉內歛，如深秋日暮，蕭疏寡索之氣溢於絹上。
心畬先生筆下所寫，毋乃當年目睹身遇之記憶。蓋隱居西山十餘載，借居之戒臺寺，與潭柘寺近鄰，孔雀庵乃八百年前遺跡，自屬訪古探幽足迹所及處。
先生渡海赴台後，故都歲月，馬鞍舊憶，不時摭拾而重現於圖卷中。本幅僅盈尺小卷，乃袖中賞玩自娛之物。方寸天地間，卻見千峰聳峙，重巒積叠，蕭寺門牆，掩映於密樹濃蔭中；遠客三兩，策蹇漫行，豈非舊王孫幼年遊玩之寫照？
其構圖緊湊，佈局嚴整，取滿畫手法，僅餘一隅留白空間，惟景物佈置，錯落有致，起伏跌宕，環環相扣，節奏自生。通篇滿而不滯，密而不板，氣息連貫，了無粘礙；設色蒼鬱渾厚，蘊藉內歛，如深秋日暮，蕭疏寡索之氣溢於絹上。
「龍坡丈室」舊藏溥心畬書畫精品（編號 1478-1480）
「龍坡丈室」者，台靜農先生（1902-1990）室號也。先生遷台後，執台灣大學中文系教席，傳道授業，復以詩文書畫，享譽文壇。雖非專事收藏，惟往來皆鴻儒碩宿，詩酒酬唱，書畫互贈，歷年所積，亦可觀矣！
先生與舊王孫，故交也。初識於故都恭王府賞花時，蓋與溥雪齋、啓元白，具共事輔仁大學之誼，得其引介，遂與訂交。遷台後，往來密切，溥氏常倩先生代於台灣大學中文圖書館借閱典籍，又請刻印圖章，交誼詳見於所撰之〈有關西山逸士二三事〉一文。文人過從，談文論藝，金石書畫，風流蘊藉，自可想見！
本輯作品，源於台先生舊藏，皆畫家渡海後之作，非大軸巨製，卻屬精心快意所出。先生得之，或署簽，或鈐藏印，或倩友輩題跋紀之，寶愛之甚，觀者當有同感矣！