黃賓虹 (1864-1955)

設色紙本 立軸

款識：
春陰蔽幽齋，朝來始和霽；春風悠然來，花雨滿庭際。
黃賓虹畫。

鈐印：「賓弘」。

藏印：「 居素鑑藏」、「鄧蒼梧藏」、「傳硯廔主鑑賞」、「青霜館自玩」。

香港蘇富比，二○○七年十月，中國書畫拍賣，編號112

-Signs of restoration can be found along the left and right edges at the upper section, where there appears to be loss of paper previously. Light foxing can be found at the upper left section of the painting, which can be improved by restoration. Otherwise, generally in fair to good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：本幅無紀年，按筆墨風格、題款字體及鈐印，似屬賓老六十餘歲之作。畫中構圖見緊密，用筆尖細，色墨較渴淡，乃其二十年代筆下較明顯的特色。遞藏過程清晰，且為書畫界及收藏界知名者。從藏印顏色及鈐蓋位置，可知最早入藏黃居素「光網樓」。黃居素 (1896-1986)，廣東中山人，早歲留學美國，返國後，曾任中山縣縣長、代理中國國民黨海外部長等職。一九二三年，得胡韞玉介紹投賓虹門下習藝。他與賓老關係至為密切，得其精品甚多，應為最重要的黃賓虹書畫收藏。本幅後轉入港澳收藏家及古玩商鄧蒼梧「傳硯樓」，再入著名書畫家蔣諤士「青霜館」。蔣諤士（ 1913-1972），字青霜，少有畫名，後去國往美，曾在彼邦及東瀛舉行畫展。他與書畫仝道頗有交往，又嗜搜集，積累所得甚豐。歿後，藏品先後散出。本幅則於上世紀八十年代初釋出市場。